CALIFICACIÓN DE IMDb
6.9/10
7.4 k
TU CALIFICACIÓN
Su propio cuerpo convertido en una obra de arte viviente y expuesto en un museo. Sam, un refugiado sirio, pronto se dará cuenta de que ha vendido algo más que su piel.Su propio cuerpo convertido en una obra de arte viviente y expuesto en un museo. Sam, un refugiado sirio, pronto se dará cuenta de que ha vendido algo más que su piel.Su propio cuerpo convertido en una obra de arte viviente y expuesto en un museo. Sam, un refugiado sirio, pronto se dará cuenta de que ha vendido algo más que su piel.
- Nominado a 1 premio Óscar
- 9 premios ganados y 12 nominaciones en total
Koen De Bouw
- Jeffrey Godefroi
- (as Koen de Bouw)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaWhile director Kaouther Ben Hania was visiting the Louvre Museum in Paris in 2012, there was a retrospective of Belgian artist Wim Delvoye. There she saw, in Napoleon III's apartments, Delvoye's Tim (2006 - 08), in which the artist had tattooed the back of Tim Steiner, who was sitting on an armchair with his shirt off displaying Delvoye's design. The piece was sold to a German art collector and Tim is contractually obliged to spend a certain amount of time, topless and sitting still, in a gallery every year. Wim Delvoye appears in the movie as the insurance guy.
- ErroresWhen Sam Ali changes his seat at the train at 05:55, the place of the man in the back seat changes each time the camera switches between Sam and Abeer.
- ConexionesFeatured in Los 93 Premios de la Academia (2021)
- Bandas sonorasFiliae maestae Jerusalem, RV 638: I, 'Filiae maestae Jerusalem'
Music by Antonio Vivaldi (uncredited)
Conducted and Performed by Philippe Jaroussky (Audio) (p)
Performed by Ensemble Artaserse (uncredited)
2014 Erato/Warner Classics, Warner Music UK Ltd.
Opinión destacada
I hadn't realised that was by a Tunisian director. She did a good job to get Syrians to play nearly all of the principal parts. It really irritates me when the accents don't match the supposed country when I watch an Arabic-language film and I always wonder why so many films make do with impersonations. I used to live in Syria, so it is even worse when the actors are playing (and failing) the various Syrian accents.
I was also pleased to see that there was very little propaganda against His Excellency Bashar al-Assad, the elected President of Syria. He was referred to as a dictator at one point; I wish the translation on the subtitles had said "Autarch" which might have been better. However, despite the freedoms experienced by Syrians before the attack on her, the results of the scene in the train during the marriage proposal and its subsequent sequels are wearily familiar as were the family connections used as a solution.
Life as a refugee was shown unflinchingly. I have had experience of some of the tricks and strategies used by migrants to stay alive - I live in a different Arab country now and see sub-Saharan immigrants at exhibitions where food will be served so they can get a meal for free just as Sam and his friends do in the film.
It's at one of these exhibitions that Sam's life changes. He makes a pact that will allow him to follow his love to Europe to fulfil a promise and a dream. He has contracted out his body.
Not everything goes smoothly, of course. There wouldn't have been a film if it had. That the hour and forty four minutes flew past is a testament to the power of the storyline and plot development. The last two twists in the final minutes of the film had me in the depths of despair; I'd seen the first one coming. What else would DAESH had done? There's another development after that which resolves the film completely.
I had had this waiting to be watched for a month or so. Last night was an ideal time to watch; I was relaxed and ready for it. I recommend the film.
I was also pleased to see that there was very little propaganda against His Excellency Bashar al-Assad, the elected President of Syria. He was referred to as a dictator at one point; I wish the translation on the subtitles had said "Autarch" which might have been better. However, despite the freedoms experienced by Syrians before the attack on her, the results of the scene in the train during the marriage proposal and its subsequent sequels are wearily familiar as were the family connections used as a solution.
Life as a refugee was shown unflinchingly. I have had experience of some of the tricks and strategies used by migrants to stay alive - I live in a different Arab country now and see sub-Saharan immigrants at exhibitions where food will be served so they can get a meal for free just as Sam and his friends do in the film.
It's at one of these exhibitions that Sam's life changes. He makes a pact that will allow him to follow his love to Europe to fulfil a promise and a dream. He has contracted out his body.
Not everything goes smoothly, of course. There wouldn't have been a film if it had. That the hour and forty four minutes flew past is a testament to the power of the storyline and plot development. The last two twists in the final minutes of the film had me in the depths of despair; I'd seen the first one coming. What else would DAESH had done? There's another development after that which resolves the film completely.
I had had this waiting to be watched for a month or so. Last night was an ideal time to watch; I was relaxed and ready for it. I recommend the film.
- laduqesa
- 14 ene 2022
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- El hombre que vendió su piel
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 2,230,000 (estimado)
- Total a nivel mundial
- USD 227,290
- Tiempo de ejecución1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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What is the Hindi language plot outline for The Man Who Sold His Skin (2020)?
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