CALIFICACIÓN DE IMDb
6.9/10
29 k
TU CALIFICACIÓN
El romance de tres años entre el poeta del siglo XIX John Keats y Fanny Brawne cerca del final de su vida.El romance de tres años entre el poeta del siglo XIX John Keats y Fanny Brawne cerca del final de su vida.El romance de tres años entre el poeta del siglo XIX John Keats y Fanny Brawne cerca del final de su vida.
- Nominado a 1 premio Óscar
- 16 premios ganados y 54 nominaciones en total
Argumento
¿Sabías que…?
- TriviaJohn Keats' poems used in the film are: Endymion, When I Have Fears That I May Cease to Be, The Eve of St Agnes, Ode to a Nightingale, La Belle Dame Sans Merci and Bright Star.
- ErroresThe large blue butterflies featured in the 'butterfly' sequence are tropical and would not have been found in Britain at that (or any other recent) time.
- Citas
Fanny Brawne: I still don't know how to work out a poem.
John Keats: A poem needs understanding through the senses. The point of diving in a lake is not immediately to swim to the shore but to be in the lake, to luxuriate in the sensation of water. You do not work the lake out, it is a experience beyond thought. Poetry soothes and emboldens the soul to accept a mystery.
Fanny Brawne: I love mystery.
- Créditos curiososBen Whishaw recites Keats' "Ode to a Nightingale" over the closing credits.
- ConexionesFeatured in At the Movies: Cannes Film Festival 2009 (2009)
- Bandas sonorasSerenade in B flat, K361, Adagio
(1781)
Written by Wolfgang Amadeus Mozart (as Mozart)
Arranged by Mark Bradshaw
Opinión destacada
I got the DVD of Bright Star as a get well present while recovering in hospital from a major spinal operation recently. Looking at the cover, it looked like my kind of movie, a romance and a period drama. Last Sunday, I watched it and was very impressed overall. It is a beautiful movie and competently directed and acted, but two things stop it from shining more than it could have done.
One is some of the dialogue. Not all mind, most of it is wonderfully poetic and moving, but then there is some of the more abstract language that feels more stilted and not as feasible to understand. My main problem is the pace, which throughout is rather slow making one or two scenes in the middle act a tad dull.
However, as a depiction of the joy of first love and the heart break that succeeds it, Bright Star is very effective. The final twenty minutes are heart-breaking, and the mood of the film compliments Keat's sensuous style beautifully. Jane Campion directs very competently, with each scene and season moving pretty much seamlessly to the next.
Bright Star has a beautiful, moving story, beautifully told and tells the story of Keats, his love and his beautiful poetry lovingly. The film looks exquisite, with lovely photography and authentic costumes and the painterly, watercolour-like scenery is spellbinding. The music adds to the poignancy, the background scoring is effective without overpowering and I liked the use of the Mozart piece if not the arrangement and how it was performed, some of the singing lacked support and the piece works much more as a chamber work.
The acting is fine and appropriately understated. Ben Whishaw is dashing and compellingly misty-eyed, while Paul Schneider adds a slight touch of menace and perhaps even realism to the picture. It was Abbie Cornish though who gave the best performance, one minute she is appropriately stern, another minute she is very poignant.
All in all, a lovely movie, could have been more, but one movie I would see again willingly. 7.5/10 Bethany Cox
One is some of the dialogue. Not all mind, most of it is wonderfully poetic and moving, but then there is some of the more abstract language that feels more stilted and not as feasible to understand. My main problem is the pace, which throughout is rather slow making one or two scenes in the middle act a tad dull.
However, as a depiction of the joy of first love and the heart break that succeeds it, Bright Star is very effective. The final twenty minutes are heart-breaking, and the mood of the film compliments Keat's sensuous style beautifully. Jane Campion directs very competently, with each scene and season moving pretty much seamlessly to the next.
Bright Star has a beautiful, moving story, beautifully told and tells the story of Keats, his love and his beautiful poetry lovingly. The film looks exquisite, with lovely photography and authentic costumes and the painterly, watercolour-like scenery is spellbinding. The music adds to the poignancy, the background scoring is effective without overpowering and I liked the use of the Mozart piece if not the arrangement and how it was performed, some of the singing lacked support and the piece works much more as a chamber work.
The acting is fine and appropriately understated. Ben Whishaw is dashing and compellingly misty-eyed, while Paul Schneider adds a slight touch of menace and perhaps even realism to the picture. It was Abbie Cornish though who gave the best performance, one minute she is appropriately stern, another minute she is very poignant.
All in all, a lovely movie, could have been more, but one movie I would see again willingly. 7.5/10 Bethany Cox
- TheLittleSongbird
- 30 mar 2011
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Bright Star
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 4,444,637
- Fin de semana de estreno en EE. UU. y Canadá
- USD 189,703
- 20 sep 2009
- Total a nivel mundial
- USD 14,374,652
- Tiempo de ejecución1 hora 59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was El amor de mi vida (2009) officially released in India in Hindi?
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