Why We Fight

This is truly a remarkable film. In its subtlety, and its poetry it outshines "..9/11". While Moore's film remains an extraordinary piece of work - the criticisms could be spun by the right as a 'liberal rant' - largely due to Moore's obvious, and justified frustration.

Why we Fight presents a lyrical and devastatingly haunting portrait of a system that has failed the west - specifically America - time and time again in a repeating cycle. The narrative carefully builds an historical context for the present administration's actions, and unfolds a story of how Americans, even the most staunch supporters of Bush's policies, have gradually learnt that they've been lied to, lied about and then lied to again as the administration is called on to answer for their lies.

With extraordinary research, and some incredible interview contributors, the facts are again repeated - indeed, they gain, perhaps even greater impact because of the historical context - and the warnings of past leaders.

It is above all a film which at once makes you terribly sad - and frustrated. But the surprise - for me at least - was that my anger became levelled not so much at the arrogance of our governments, and those in the positions of power - but at the stupefying inaction of the voting public.

I need only direct you to another of the 'reviews' of this film to underline just how poisoned the populous is, and just how stupid people have allowed themselves to become.

-------- The director spoke at Sundance about how he consciously prevented this breathtaking documentary from being screened before the election in 04 - largely because he felt the message of the film is not partisan, and not about a particular administration - but it is about the system. My only frustration about this is that I can only imagine what the snowballing effects of this film might have been had it been allowed to swiftly follow 'Fahrenheit 911'.