CALIFICACIÓN DE IMDb
4.8/10
47 k
TU CALIFICACIÓN
Un agente del FBI se disfraza de nuevo de viejecita corpulenta y se infiltra como niñera en la casa de un sospechoso.Un agente del FBI se disfraza de nuevo de viejecita corpulenta y se infiltra como niñera en la casa de un sospechoso.Un agente del FBI se disfraza de nuevo de viejecita corpulenta y se infiltra como niñera en la casa de un sospechoso.
- Premios
- 1 premio ganado y 5 nominaciones en total
Chloë Grace Moretz
- Carrie
- (as Chloe Grace Moretz)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaFeature film debut of Zachary Levi.
- ErroresThe Fuller's dog is referred to as Poncho, a male Chihuahua. Yet, when all Carrie's fellow cheerleaders show up to the house to practice their routine, Poncho stands on his hind legs - and it's clearly a female Chihuahua.
- ConexionesFeatured in WatchMojo: Top 10 Worst Hollywood Directors (2014)
- Bandas sonorasRound for Round
Written by Jasmin Lopez and J.R. Rotem (as Jonathan Rotem)
Performed by Jasmin Lopez
Courtesy of Southside Independent
Opinión destacada
After settling down into a desk job inside the FBI, former Field Agent Malcolm Turner (Martin Lawrence) defies orders to stay out of the investigation of his former partners death and travels to Orange County, California to go undercover as Big Momma, working for an unhappy woman (Emily Proctor) who is under investigation for the murder. Little did he realise that he would become attached to the dysfunctional family
After pouring myself a nice hot cup of tea, I settled down in the comfy chair of Screen 1 to brace myself for the print check and hopefully have some harmless viewing. The result; A relatively brain dead projectionist trying to get to grips of where the last hour and a half of his life disappeared to. Now, to tell you the truth, I've never been much of a big fan of Martin Lawrence to start with but, like Jeremy Clarkson driving from London to Edinburgh and back ECONOMICALLY, shocks are everywhere. For the first time ever, I actually found Martin Lawrence's humour quite funny. Giving the dog a bowlful of tequila gave me a bit of a tickle, as did Big Momma's 'Baywatch' style slow-mo run.
This is probably the only plus side on a film which lacked the power to keep a rather basic storyline going. The characters created weren't complex enough. The family consisted of three children. One who was 3 and wasn't able to speak, which you undoubtedly knew he would by the end. The 8 year old girl was a wannabe dancer, and there was a troubled teen, who would stop her rebellious ways by the end of the movie. Emily Proctor's acting throughout the film was, to be truthful, pretty lame. It's like she took Calleigh Duquesne's character from CSI: Miami and just took all of the weapons expertise out of it. No original work was added to the character.
To sum up, this is a sequel that should have been left WELL alone. If you are of the type of mind that requires a film that will challenge you, I'd look elsewhere. Laughter is guaranteed as this film's storyline is clearly based around Big Momma, allowing Martin Lawrence breathing space to play with the character, but there were never any genuine references to the original film.
After pouring myself a nice hot cup of tea, I settled down in the comfy chair of Screen 1 to brace myself for the print check and hopefully have some harmless viewing. The result; A relatively brain dead projectionist trying to get to grips of where the last hour and a half of his life disappeared to. Now, to tell you the truth, I've never been much of a big fan of Martin Lawrence to start with but, like Jeremy Clarkson driving from London to Edinburgh and back ECONOMICALLY, shocks are everywhere. For the first time ever, I actually found Martin Lawrence's humour quite funny. Giving the dog a bowlful of tequila gave me a bit of a tickle, as did Big Momma's 'Baywatch' style slow-mo run.
This is probably the only plus side on a film which lacked the power to keep a rather basic storyline going. The characters created weren't complex enough. The family consisted of three children. One who was 3 and wasn't able to speak, which you undoubtedly knew he would by the end. The 8 year old girl was a wannabe dancer, and there was a troubled teen, who would stop her rebellious ways by the end of the movie. Emily Proctor's acting throughout the film was, to be truthful, pretty lame. It's like she took Calleigh Duquesne's character from CSI: Miami and just took all of the weapons expertise out of it. No original work was added to the character.
To sum up, this is a sequel that should have been left WELL alone. If you are of the type of mind that requires a film that will challenge you, I'd look elsewhere. Laughter is guaranteed as this film's storyline is clearly based around Big Momma, allowing Martin Lawrence breathing space to play with the character, but there were never any genuine references to the original film.
- tracker57
- 12 feb 2006
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Big Momma's House 2
- Locaciones de filmación
- Costa Mesa, California, Estados Unidos(Deloitte & Touche Building)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 40,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 70,165,972
- Fin de semana de estreno en EE. UU. y Canadá
- USD 27,736,056
- 29 ene 2006
- Total a nivel mundial
- USD 141,522,961
- Tiempo de ejecución1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the French language plot outline for Mi abuela es un peligro 2 (2006)?
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