La reina Elizabeth sufre múltiples crisis al final de su reinado, incluyendo intrigas de la corte, un complot de asesinato, la armada española y decepciones románticas.La reina Elizabeth sufre múltiples crisis al final de su reinado, incluyendo intrigas de la corte, un complot de asesinato, la armada española y decepciones románticas.La reina Elizabeth sufre múltiples crisis al final de su reinado, incluyendo intrigas de la corte, un complot de asesinato, la armada española y decepciones románticas.
- Ganó 1 premio Óscar
- 8 premios ganados y 33 nominaciones en total
- King Philip ll of Spain
- (as Jordi Molla)
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- Producción, taquilla y más en IMDbPro
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- TriviaWhen Elizabeth arrives at St. Paul's Cathedral, construction is going on. In real life, St. Paul's actually needed repair work. Director Shekhar Kapur decided to improvise and gave the workers costumes and period tools to cut real stone that was being installed in the cathedral. The workers in the scene are real-life stonemasons and construction workers.
- ErroresThe real Babington Plot to assassinate Queen Elizabeth at the altar was thwarted in the planning stages.
- Citas
Queen Elizabeth I: Go back to your rathole! Tell Philip I fear neither him, nor his priests, nor his armies. Tell him if he wants to shake his little fist at us, we're ready to give him such a bite he'll wish he'd kept his hands in his pockets!
Don Guerau De Spes: You see a leaf fall, and you think you know which way the wind blows. Well, there is a wind coming, Madame, that will sweep away your pride.
[turns to leave with his ministers]
Queen Elizabeth I: I, too, can command the wind, sir! I have a hurricane in me that will strip Spain bare if you dare to try me!
- ConexionesEdited from La hija de Ryan (1970)
- Bandas sonorasVolta a 4
Written by John Dowland
Performed by The Consort of Musicke
Conducted by Anthony Rooley
Courtesy of The Decca Record Company Ltd
Under licence from Universal Music Operations Ltd
There's a lot of good stuff in this film, but there're some pitfalls as well. On the plus side the sets and costumes are magnificent. A great deal of care and love when into the art direction to bring us an Elizabethan renaissance film, replete with court intrigue and foreign emissaries who threaten invasion because of high seas thievery courtesy Clive Owen's character. Visually this film is very lush and impressive, though somewhat confining at times. We're never really shown Elizabethan England, just the "important parts" that are salient to the story.
And, as Elizabeth's favorite playwright would say, "there's the rub". And by this I mean that the film is a bit all over the place. It's a costume drama, it's a romance, it's a period political thriller, it's a military epic, and so forth. It even skids the fantasy genre with some of the fancy camera work that was done. But, all in all, the film's primary thrust is to try and grab hold of all of these genres, and tie them together into some kind of cohesive and suscint manner.
The romance, the intrigue, the sisterly emotions, the rivalry between matriarchs, and the "battle scene" hearken back to a time when Hollywood used to crank out these kinds of movies with some regularity. But the context between those films and "Elizabeth: The Golden Age" are nearly day and night, even though both are striving for a high water mark in historical drama.
I thought "Elizabeth: The Golden Age" was technically a competent production. In fact, given the difficulties there must have been getting some of the shots I'll give it high marks as a pure production effort. But as a film I simply found it to be a touch too ambitious, and over-indulgent near the end.
That's not to say that I didn't enjoy a lot of the film, because I did. Blanchet's Elizabeth is a strong woman; full of zest, energy, and a bit of anger, which she levels at her adversaries. But she's also a chief of state, internationalist, and, of course, the queen of England. She doesn't wear several hats. She wears a crown. But even so, and this is where the film falls a bit short, she doesn't demonstrate a cohesive ability to command all. She shows she's in charge, but doesn't act like she's in charge until near the end.
The film was geared and aimed at a female audience (a thing which I had not expected), and so a lot of the energy is directed at that audience, with the appropriate emotional flourishes. Combined with some so-so CGI for the action sequences (and a horse with a perm which almost had me laughing), one wonders where the film was headed. Elizabeth didn't save England with her emotional power alone, and yet this is the gist of the film. It's a real let down in this regard.
The film is a mixed blessing. There's a lot of decent acting, and some exceptional performances by the leads. Married to a rather extravagant art director to bring to life palace, throne room, chambers, and galleons at sea, and one can easily see that this was meant to be a top notch production. But some of the logical loopholes where Blanchet's character is concerned conspire with some of the story loopholes to hold back a better film.
As a guy all I can say is that it's not something I'd watch again, and I'm not too sure I'd recommend it to any female audiences. But, if you don't mind your period dramas skirting the edge of high kamp, then splurge on a ticket, and see what "Elizabeth: The Golden Age" is all about.
- Blueghost
- 15 oct 2007
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- También se conoce como
- Elizabeth: The Golden Age
- Locaciones de filmación
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- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 55,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 16,383,509
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,153,075
- 14 oct 2007
- Total a nivel mundial
- USD 75,782,758
- Tiempo de ejecución1 hora 54 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1