Muñeca diabólica

You want infatuation, the twisted kind brought upon by someone longing for something true, but only to be strung along and heartbroken. Lucky McKee's "MAY" is an indie film that draws you in; slowly forming its basis around vivid characters, ongoing interactions, developing pathos, and relationships to only turn it upside down. From quirky one minute, to startling the next, but always underlining its twitchy psychological makeup is a certain calamity that no one can escape. What it really does thrive on though, is the edgy dynamics of Angela Bettis' affectingly misunderstood, yet adorably offbeat lead performance brought upon by her character's awkward naivety, stemming from her constant loneliness that can be traced back to when she was a child. Her best friend is a doll in a glass case that was given to her by her mother as a child, and it seems to somehow communicate, getting into her unstable head. Bettis' portrayal is great, not to take anything away from a mild-mannered Jeremy Sisto and seductive Anna Faris who were equally so, in their characters' careless selfishness of their treatment of May. However it's definitely all about Bettis and her character's slow, crippling descent in finding that someone, who's 100% perfect. How she gets there, can be darkly humorous, but also insanely morbid, as McKee gets it spot on blending these two elements together.