CALIFICACIÓN DE IMDb
7.2/10
2.6 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaFilmmaker William Greaves auditioned acting students for a fictional drama, while simultaneously shooting the behind-the-scenes drama taking place.Filmmaker William Greaves auditioned acting students for a fictional drama, while simultaneously shooting the behind-the-scenes drama taking place.Filmmaker William Greaves auditioned acting students for a fictional drama, while simultaneously shooting the behind-the-scenes drama taking place.
- Premios
- 2 premios ganados en total
Fotos
Bob Rosen
- Self - Production Manager
- (as Bob Rosen)
Susan Anspach
- Self - Actress Testing for Alice
- (sin créditos)
Audrey Heningham
- Self - Black Lady Clapping her Hands
- (sin créditos)
Stevan Larner
- Self - Cameraman
- (sin créditos)
Terence Macartney-Filgate
- Self - Cameraman
- (sin créditos)
Maria Zeheri
- Self - Camera Assistant
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaAfter completing the film in 1971, William Greaves believed that he had made a masterpiece, and that the only place to première it was the Cannes Film Festival. So he carried the print to France himself, where it was screened for programmers. However, the projectionist made the mistake of showing the reels out of order. The film was turned down. Greaves came home, figured he had made a mistake, and put the film in his closet.
- Citas
Viktor - Homeless Painter: I never say goodbye. I like to say Ciao.
- Créditos curiososComing Soon Symbiopsychotaxiplasm Take Two
- ConexionesFeatured in ¿¡Soy lo bastante negro para ti!? (2022)
Opinión destacada
Symbiopsychotaxiplasm: Take One (1968)
*** (out of 4)
Incredibly fascinating little gem from director William Greaves works as a feature film but also a documentary. Basically what we have here is Greaves shooting an actual feature dealing with a husband and wife fighting about their life while walking through Central Park. That's the "feature" side of things. While they're shooting this they also have two separate cameras picking up all the drama and action going on in real life. So, the film is one where we get to see the actual feature being shot but also a documentary covering the making of the actual movie. I can't say I had ever heard of this movie before it popped up on Turner Classic Movies but part of what makes being an open-minded film buff so great is that you often come across gems that you might not have had you simply didn't expand in your viewing habits. It's really hard to explain this feature or why it works so well but I found it to be rather fascinating because there are moments where we get a third aspect of the "film" which is when the production crew are gathered in a room where they discuss where the film should go and their opinions on whether or not Greaves is doing a good job directing. These three aspects of a "film" are so interesting that you have to wonder why someone didn't try doing a picture like this a lot earlier and while there are certainly some creaky moments, overall this is a rather genius thing to try and pull off and you really can't help but applaud the director. There are some very funny moments in the behind-the-scenes section including a bit where they're filming and a group of people gather to watch and the director has to explain to them what they're doing and why they need to be quiet so that they don't ruin the scene. There are other moments where the crew fight about how much film is left, there's a sequence with a cop wanting to see some permits and then of course there's the actual film being shot, which contains a couple actors who are very good in their parts. It's also interesting to see the actors playing their parts and coming up with ideas to run past the director. I think what I really pulled away from this movie, unlike any other documentary, is how everyone working on a film thinks they're the most important part. The actors are focused on their job. The director has his job. The crew have their job and everyone is so focused on what they're doing that it's hard to really see what the other person's job is and why it might be just as important. This movie certainly isn't for everyone but those who enjoy movies about making movies should find themselves entertained.
*** (out of 4)
Incredibly fascinating little gem from director William Greaves works as a feature film but also a documentary. Basically what we have here is Greaves shooting an actual feature dealing with a husband and wife fighting about their life while walking through Central Park. That's the "feature" side of things. While they're shooting this they also have two separate cameras picking up all the drama and action going on in real life. So, the film is one where we get to see the actual feature being shot but also a documentary covering the making of the actual movie. I can't say I had ever heard of this movie before it popped up on Turner Classic Movies but part of what makes being an open-minded film buff so great is that you often come across gems that you might not have had you simply didn't expand in your viewing habits. It's really hard to explain this feature or why it works so well but I found it to be rather fascinating because there are moments where we get a third aspect of the "film" which is when the production crew are gathered in a room where they discuss where the film should go and their opinions on whether or not Greaves is doing a good job directing. These three aspects of a "film" are so interesting that you have to wonder why someone didn't try doing a picture like this a lot earlier and while there are certainly some creaky moments, overall this is a rather genius thing to try and pull off and you really can't help but applaud the director. There are some very funny moments in the behind-the-scenes section including a bit where they're filming and a group of people gather to watch and the director has to explain to them what they're doing and why they need to be quiet so that they don't ruin the scene. There are other moments where the crew fight about how much film is left, there's a sequence with a cop wanting to see some permits and then of course there's the actual film being shot, which contains a couple actors who are very good in their parts. It's also interesting to see the actors playing their parts and coming up with ideas to run past the director. I think what I really pulled away from this movie, unlike any other documentary, is how everyone working on a film thinks they're the most important part. The actors are focused on their job. The director has his job. The crew have their job and everyone is so focused on what they're doing that it's hard to really see what the other person's job is and why it might be just as important. This movie certainly isn't for everyone but those who enjoy movies about making movies should find themselves entertained.
- Michael_Elliott
- 31 jul 2011
- Enlace permanente
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- How long is Symbiopsychotaxiplasm: Take One?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Симбиопсихотаксиплазм. Дубль один
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 15 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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By what name was Symbiopsychotaxiplasm: Take One (1968) officially released in India in English?
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