Cuatro semanas después de que un misterioso e incurable virus se propague por todo el Reino Unido, un puñado de sobrevivientes intentan encontrar un santuario.Cuatro semanas después de que un misterioso e incurable virus se propague por todo el Reino Unido, un puñado de sobrevivientes intentan encontrar un santuario.Cuatro semanas después de que un misterioso e incurable virus se propague por todo el Reino Unido, un puñado de sobrevivientes intentan encontrar un santuario.
- Premios
- 10 premios ganados y 32 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaFor the scenes on the motorway, the production got permission to shoot on the M1 on a Sunday morning between 7.00am and 9.00am. The police gradually slowed traffic in both directions. Using 10 cameras, the filmmakers managed to capture a total of one minute of usable footage.
- ErroresWhen the camera pulls back to show Manchester aflame, a row of flashing lights is visible in the distance. It's the police keeping traffic back so that the road looks empty. About 2 seconds later, a car drives by in the distance.
- Citas
[Jim enters a dark abandoned church when he sees writing on the wall]
Writing on a Wall: 'Repent, The End Is Extremely Fucking Nigh'
- Créditos curiososOther than the Fox Searchlight logo, there are no opening credits whatsoever. The title of the movie, 28 Days Later, only appears as a descriptive subtitle.
- Versiones alternativasFox Searchlight attached an alternative downbeat ending to all 1400 US prints of the film, while it was still in U.S. release. The revised ending was the one that appeared in the original script, but the script's ending was ditched in favor of a happy ending after it did not test well. Director Danny Boyle decided "We can't do this to people, because it was such a tough journey anyway."
- ConexionesEdited into Cent une tueries de zombies (2012)
- Bandas sonorasEast Hastings
Performed by Godspeed You! Black Emperor (as Godspeed You Black Emperor)
Appears courtesy of Kranky, Ltd.
Written by Efrim Menuck, David Bryant, Roger Tellier-Craig, Thierry Amar, Mauro Pezzente, Aiden Girt, Bruce Cawdon, Sophie Trudeau and Norsola Johnson
Published by Rough Trade Publishing
Opinión destacada
As it so happens, 28 Days Later is the best zombie movie in the last few decades. Probably since Romero's classics, if I recall accurately. It stands up on its own in a genre which is frequently plagued by a sort of innate stupidity, a consequence of one too many dead people. Otherwise how could one explain the fact that the most acclaimed zombie films are parodies of the genre?
28 Days Later shares a striking resemblance with Resident Evil, in that it kind of starts where RE left off: after one of the most exciting intro sequences I have ever witnessed (!), a lonely average-Joe, (Jim in this particular case) wakes up in a deserted London and takes a jolly good walk through the intimidatingly empty streets. Man-kind seems to have been wiped out by a contagious virus which induces a sort of blind rage upon those who fall prey to it. As may have guessed by now, this will be a story of survival.
While most horror films will offer a relatively exciting ride with little more than sparse scares, Danny Boyle's movie sheds a new light on the survival instinct of human beings which can damned well spook the living hell out of you - even if not in the traditional sense. Looking at Children of Men might offer some insight into what it feels like to have no future and this itself may clear the way to appreciating 28 Days Later.
I guess it's one of those rare horror films which not only enlighten the viewer with nice, gory slaughters but also with a share of psychological goodies. 28 Days Later doesn't forget "the Master" either and offers an obvious and unobtrusive tribute to Dawn of the Dead. All around the movie keeps you going because it is an immersive experience and not just a "poke-your-finger" kind of experience.
28 Days Later shares a striking resemblance with Resident Evil, in that it kind of starts where RE left off: after one of the most exciting intro sequences I have ever witnessed (!), a lonely average-Joe, (Jim in this particular case) wakes up in a deserted London and takes a jolly good walk through the intimidatingly empty streets. Man-kind seems to have been wiped out by a contagious virus which induces a sort of blind rage upon those who fall prey to it. As may have guessed by now, this will be a story of survival.
While most horror films will offer a relatively exciting ride with little more than sparse scares, Danny Boyle's movie sheds a new light on the survival instinct of human beings which can damned well spook the living hell out of you - even if not in the traditional sense. Looking at Children of Men might offer some insight into what it feels like to have no future and this itself may clear the way to appreciating 28 Days Later.
I guess it's one of those rare horror films which not only enlighten the viewer with nice, gory slaughters but also with a share of psychological goodies. 28 Days Later doesn't forget "the Master" either and offers an obvious and unobtrusive tribute to Dawn of the Dead. All around the movie keeps you going because it is an immersive experience and not just a "poke-your-finger" kind of experience.
- tributarystu
- 11 sep 2003
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Devastación
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 45,064,915
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,061,858
- 29 jun 2003
- Total a nivel mundial
- USD 84,661,434
- Tiempo de ejecución1 hora 53 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1(original ratio)
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta