CALIFICACIÓN DE IMDb
7.8/10
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TU CALIFICACIÓN
Esta interpretación de X-Men presenta a Cíclope, Jean Grey, Pícara, Rondador Nocturno, Gato Sombra y Spike como adolescentes mientras luchan por un mundo que les teme y les odia.Esta interpretación de X-Men presenta a Cíclope, Jean Grey, Pícara, Rondador Nocturno, Gato Sombra y Spike como adolescentes mientras luchan por un mundo que les teme y les odia.Esta interpretación de X-Men presenta a Cíclope, Jean Grey, Pícara, Rondador Nocturno, Gato Sombra y Spike como adolescentes mientras luchan por un mundo que les teme y les odia.
- Premios
- 3 premios ganados y 6 nominaciones en total
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Argumento
¿Sabías que…?
- TriviaNightcrawler does not appear to be Catholic or religious in this version.
- ErroresWhen Jean and Kurt leave the mansion, McCoy and Xavier find them at the airport buying tickets to New York City; Bayville is less than an hour by car from the city, around two in bad traffic. There are no flights from anywhere near Bayville to New York City.
- ConexionesFeatured in The Evolution of the X-Men (2003)
Opinión destacada
For those that despise this cartoon because it takes liberties, then change the freaking channel, bub, and shut the hell up.
For those who remember the early early days of X-men, they were all teenagers in a school, learning to use their powers to benefit mankind. Well, in comic book continuity, these characters have all grown up, married, divorced, died, betrayed their friends, etc etc etc.
This cartoon went back to the basic principle that Stan Lee and Jack Kirby started out with back in the 60's. And it's revamped itself to fit today's standards and cultural influences. I like to see it as an animated version of the "Ultimate X-Men" title that marvel is producing, which does the same thing of reformatting the story to today's timeline.
And each character in this show is well written to the point that I like them even better than some of their comic book counterparts.
Scott -- we're seeing a leader developing here, but he's still a kid learning to deal with who he is and his place in the world.
Logan -- granted, he's toned down a bit, but he's just as gruff as he is in the comics, and has a better voice than he did in the 90's cartoon.
Kurt -- great interpretation. I always thought Nightcrawler was a little stiff for my liking (given his background), so I love to see him be a party animal, and to be one caught goofing off.
Rogue -- BIG BIG BIG BIG BIG IMPROVEMENT!! I'm sorry purists, but the little Southern belle thing annoyed me to no end! Someone commented that they didn't like this version of Rogue because she doesn't say "Suga." It's called good writing. I like Rogue better as a Goth girl, for one basic reason. Given her power, it would seem to me that she would keep herself isolated and sullen, to ward off anyone trying to get close to her, and the dark depressed goth girl would pull that off, not the friendly southern belle. Plus, it makes her an interesting contrast to Jean and Kitty, who are upbeat popular girls.
Toad -- they took one of the worst characters of comicdom, and made him likable. He works better as a lovable loser, who just can't get a break.
I will also give honorable mention to a couple other characters, like Magneto, who is actually a threatening presence in this cartoon, and Beast, whose transformation in this cartoon makes more sense than in the comics.
The best animated X-Men yet, and it will be very hard to top.
For those who remember the early early days of X-men, they were all teenagers in a school, learning to use their powers to benefit mankind. Well, in comic book continuity, these characters have all grown up, married, divorced, died, betrayed their friends, etc etc etc.
This cartoon went back to the basic principle that Stan Lee and Jack Kirby started out with back in the 60's. And it's revamped itself to fit today's standards and cultural influences. I like to see it as an animated version of the "Ultimate X-Men" title that marvel is producing, which does the same thing of reformatting the story to today's timeline.
And each character in this show is well written to the point that I like them even better than some of their comic book counterparts.
Scott -- we're seeing a leader developing here, but he's still a kid learning to deal with who he is and his place in the world.
Logan -- granted, he's toned down a bit, but he's just as gruff as he is in the comics, and has a better voice than he did in the 90's cartoon.
Kurt -- great interpretation. I always thought Nightcrawler was a little stiff for my liking (given his background), so I love to see him be a party animal, and to be one caught goofing off.
Rogue -- BIG BIG BIG BIG BIG IMPROVEMENT!! I'm sorry purists, but the little Southern belle thing annoyed me to no end! Someone commented that they didn't like this version of Rogue because she doesn't say "Suga." It's called good writing. I like Rogue better as a Goth girl, for one basic reason. Given her power, it would seem to me that she would keep herself isolated and sullen, to ward off anyone trying to get close to her, and the dark depressed goth girl would pull that off, not the friendly southern belle. Plus, it makes her an interesting contrast to Jean and Kitty, who are upbeat popular girls.
Toad -- they took one of the worst characters of comicdom, and made him likable. He works better as a lovable loser, who just can't get a break.
I will also give honorable mention to a couple other characters, like Magneto, who is actually a threatening presence in this cartoon, and Beast, whose transformation in this cartoon makes more sense than in the comics.
The best animated X-Men yet, and it will be very hard to top.
- Skeletors_Hood
- 1 jul 2004
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- X-Men: Children of the Atom
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución23 minutos
- Color
- Relación de aspecto
- 1.33 : 1
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By what name was X-Men: Evolution (2000) officially released in India in Hindi?
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