Varias vidas convergen en una isla aislada, todas conectadas por un autor cuya novela se ha entrelazado inextricablemente con su propia vida.Varias vidas convergen en una isla aislada, todas conectadas por un autor cuya novela se ha entrelazado inextricablemente con su propia vida.Varias vidas convergen en una isla aislada, todas conectadas por un autor cuya novela se ha entrelazado inextricablemente con su propia vida.
- Premios
- 9 premios ganados y 25 nominaciones en total
Frankie Faison
- Barney
- (as Frankie R. Faison)
Robert Rietty
- Sogliato
- (as Robert Rietti)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaSir Anthony Hopkins wrote a screenplay for a sequel to this movie, most likely titled "Hannibal Ending", which would've involved Starling killing Lecter. However, this was never used.
- Errores(at around 35 mins) When Lecter writes his first letter to Clarice, he licks the envelope to seal it. When we see it on her desk before she opens it, the only thing keeping it shut is the seal wax in the center. however, Lecter licks the envelope to provide DNA to verify it is not a fake, as he is "re-emerging" from hiding.
- Citas
Hannibal Lecter: People don't always tell you what they are thinking. They just see to it that you don't advance in life.
- Créditos curiososAfter the credits, we hear Lecter say "Ta ta, H.", the closing line of the post-script in his letter to Clarice.
- Versiones alternativasThe Indian theatrical version was cut by the CBFC to mute the word 'pussy' from the dialogue spoken by Krendler, the word 'fucking' spoken by Pazzi, the word 'fuck' and 'cocksucker' spoken by Mason, the visuals of blood falling on the ground, blood spurting out of the throat of a dead man, and the close visuals of a pig putting Mason's face into the mouth to achieve an 'A' (adults) rating. It remained cut since.
- Bandas sonorasVide Cor Meum
Written by Patrick Cassidy
Libretto Taken from Dante Alighieri (as Dante)'s "La Vita Nuova"
Produced by Patrick Cassidy and Hans Zimmer
Performed by Danielle de Niese and Bruno Lazzaretti
Opinión destacada
Anthony Hopkins gave an impeccable performance. However, the material he was given to work with was not as good as Silence of the Lambs. In fairness, perhaps there was no way it could be. In SOTL, he was somehow more foreboding, more of a sort of superhuman monster; in Hannibal, he's more accessible, a guy you meet on the street. Maybe it was impossible to maintain the mystery of Lecter that we saw in SOTL because of the risk of doing a rehash. I'd give the overall Dr Lecter character a 9 of 10 in this film, vs. a 10 of 10 in the last one. Not quite as good, but still very good.
Starling's character, on the other hand, fell flat in this film. In SOTL, Foster perfectly portrayed Starling's flat surface with a turbulent depth; in Hannibal, there was nothing under her surface. Foster's Clarice evoked feelings of sympathetic grief, Moore's Clarice evoked nothing. I do not necessarily blame Moore, this could be due to writing and/or directing. Obviously, though SOTL focused mainly on Starling's character, Hannibal focuses on, well, Hannibal. Still, that's no excuse for what was done to Starling. Her character gets a 3 of 10.
The story was much weaker in Hannibal than in SOTL. It almost seemed like an excuse to present us with the characters, rather than a story in and of itself. Still, it had no other major flaws, so it gets a 6 of 10.
Now, there's another category I'll call the shock factor. It's different than ordinary gore, it's... creative gore. The sick, disgusting depravity we expect to see and like to see in this type of film. I can't go into detail without spoiling it, but I'll have to say it goes even beyond what I expected. Do not watch this film if you are squeamish or dislike gore. There isn't a lot of gore in the film, but what there was, was... concentrated. Shock Factor, 10 of 10.
Overall I give the film an 8 of 10. Very well done with a few weaknesses, well worth watching.
Starling's character, on the other hand, fell flat in this film. In SOTL, Foster perfectly portrayed Starling's flat surface with a turbulent depth; in Hannibal, there was nothing under her surface. Foster's Clarice evoked feelings of sympathetic grief, Moore's Clarice evoked nothing. I do not necessarily blame Moore, this could be due to writing and/or directing. Obviously, though SOTL focused mainly on Starling's character, Hannibal focuses on, well, Hannibal. Still, that's no excuse for what was done to Starling. Her character gets a 3 of 10.
The story was much weaker in Hannibal than in SOTL. It almost seemed like an excuse to present us with the characters, rather than a story in and of itself. Still, it had no other major flaws, so it gets a 6 of 10.
Now, there's another category I'll call the shock factor. It's different than ordinary gore, it's... creative gore. The sick, disgusting depravity we expect to see and like to see in this type of film. I can't go into detail without spoiling it, but I'll have to say it goes even beyond what I expected. Do not watch this film if you are squeamish or dislike gore. There isn't a lot of gore in the film, but what there was, was... concentrated. Shock Factor, 10 of 10.
Overall I give the film an 8 of 10. Very well done with a few weaknesses, well worth watching.
- webgrunt
- 11 feb 2001
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Silence of the Lambs 2
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 87,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 165,092,268
- Fin de semana de estreno en EE. UU. y Canadá
- USD 58,003,121
- 11 feb 2001
- Total a nivel mundial
- USD 351,692,268
- Tiempo de ejecución2 horas 11 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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