Con tan solo mirarla

A look at the lives of several different women in five separate stories. Writer-director Rodrigo García isn't indifferent to the characters he's depicting--one can sense that he wants to dig to the very core of a woman's emotional being with these portraits--but his chapters are handled oddly, in clinical fashion. Garcia also fails show off his star-actresses to their full advantages, particularly in the cases of Calista Flockhart and Holly Hunter--both weakly used. Of the group, Cameron Diaz is the most surprising, delivering a focused, balanced portrayal of a blind woman (her crying scene, shot in close-up, is quite stunning); however, these ladies aren't the living, breathing, suffering people they're meant to be. This unreleased theatrical feature, facile though it may be, was certainly a step forward in showcasing great femme talent, but the end result is a mixed-bag. ** from ****