La vida de los empleados del ala oeste de la Casa Blanca.La vida de los empleados del ala oeste de la Casa Blanca.La vida de los empleados del ala oeste de la Casa Blanca.
- Ganó 26 premios Primetime Emmy
- 121 premios ganados y 264 nominaciones en total
Argumento
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- TriviaFinal project of John Spencer, who quit acting in movies to fully concentrate in his role as Leo McGarry (which earned him one Emmy and two SAG Awards). He then passed away of a heart attack during the final season.
- ErroresIn a couple of instances, Secret Service agents are seen holding an umbrella for a protectee. In reality, Secret Service agents must keep their hands free at all times.
- Citas
Leo McGarry: This guy's walkin' down a street when he falls in a hole. The walls are so steep he can't get out. A doctor passes by and the guy shouts up, "Hey you! Can you help me out?" The doctor writes a prescription, throws it down in the hole, and moves on. Then a priest comes along and the guy shouts up, "Father, I'm down in this hole; can you help me out?" The priest writes out a prayer, throws it down in the hole and moves on. Then a friend walks by. "Hey, Joe, it's me. Can ya help me out?" And the friend jumps in the hole. Our guy says, "Are ya stupid? Now we're both down here." The friend says, "Yeah, but I've been down here before and I know the way out.
- Créditos curiososThe special post-9/11 episode was broadcast without the regular opening credits. Instead, the episode began with the cast, out of character, speaking about the episode, followed by credits on a black screen.
- Versiones alternativasThe first airing of the episode "20 Hours in America" contained a scene between President Bartlet and the First Lady in which they good-naturedly tease each other, calling each other Medea and Jackass. This scene was not included in subsequent reruns because of commercial limitations and was also not included on the DVD.
- ConexionesFeatured in The 52nd Annual Primetime Emmy Awards (2000)
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
- wamweri
- 5 dic 2004
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- West Wing
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