CALIFICACIÓN DE IMDb
6.9/10
44 k
TU CALIFICACIÓN
Un grupo de reclutas se somete al entrenamiento avanzado de infantería de Fort Polk, el infame Tigerland de Luisiana, última parada antes de Vietnam para decenas de miles de jóvenes en 1971.Un grupo de reclutas se somete al entrenamiento avanzado de infantería de Fort Polk, el infame Tigerland de Luisiana, última parada antes de Vietnam para decenas de miles de jóvenes en 1971.Un grupo de reclutas se somete al entrenamiento avanzado de infantería de Fort Polk, el infame Tigerland de Luisiana, última parada antes de Vietnam para decenas de miles de jóvenes en 1971.
- Premios
- 2 premios ganados y 5 nominaciones en total
Tom Guiry
- Pvt. Cantwell
- (as Thomas Guiry)
James MacDonald
- Staff Sgt. Thomas
- (as James McDonald)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe actors had no trailers, make-up artists, hairstylists, chairs or any of the typical luxuries.
- ErroresWhen Bozz brings the truck to a screeching halt with the can in the exhaust pipe, a modern clear plastic water bottle rolls across the truck floor.
- Bandas sonorasSound Off
Written by Willie Lee Duckworth and Bernard Lentz
Opinión destacada
Tiger Land is a tough training camp for the US military. In 1971 it is the final step before the squads go to the war in Vietnam. In training before Tiger Land, one squad of young men is joined by troublemaker Roland Bozz, who continues his military trend of dissention and insubordination. However, his actions do not just affect him and he starts to change his ways slightly, but the stresses and the potential for death in Vietnam push all the men to breaking point.
Sold as a war movie, this film is more like the first half of Full Metal Jacket than a full on war movie set in a combat zone. As such it plays more like a drama than any sort of antiwar movie or outright thriller. The focus of the film is the character of Bozz as told from the biographical point of view of Paxton. The events of the film are pretty predictable for anyone who has seen this type of film before - the internal fights, the crazy soldiers, the domineering sergeant majors etc. However it still manages to be enjoyable and entertaining even if it never really feels original or new. It is a pretty nondescript film with no specific edge on it - and that is part of the reason I think it really didn't do that good business when it was released here in the UK. It relies very heavily on the characters to keep the audience involved in the story and preventing it being seen as just a collection of old ideas; this aspect is helped by the fact that it is drawing on original material, experiences and people.
A much bigger part of the characters being engaging is the playing of them by the cast. Farrell is the lead actor and is miles ahead of everyone else. This film is one of many that made him the star he now is, and he does deserve it off the back of this and he is really good here - coming across as likeable and difficult. Outside of him, everyone plays well but are generally in their various stereotypes; aside from Farrell, Collins is the standout role - too often seen playing gang bangers and such on TV cops shows, he delivers a solid character and presents a believable breakdown over the course of the film.
Keeping my habit of never paying to see an Schumacher film since Batman & Robin took the last faith in his talent, I waited for this to come onto TV. I was surprised however to see that Schumacher managed to do the film without spoiling it - in fact he came across as rather able! He uses mainly handheld cameras and delivers a gritty feel to the whole film that is fitting to the material. I hate to admit it, but he actually did a reasonable job here and he has now done a couple of films that he hasn't ruined in one way or another! I may have to change my mind about not paying for his films - well, maybe not.
Overall this is a rather undistinguished film but one that is enjoyable as a character driven drama, trading on the usual clichés of the genre. It goes where you more or less expect it to but it goes there and takes you with it. Farrell makes a good leading man and on this evidence he is worthy of leading man status where he has good support.
Sold as a war movie, this film is more like the first half of Full Metal Jacket than a full on war movie set in a combat zone. As such it plays more like a drama than any sort of antiwar movie or outright thriller. The focus of the film is the character of Bozz as told from the biographical point of view of Paxton. The events of the film are pretty predictable for anyone who has seen this type of film before - the internal fights, the crazy soldiers, the domineering sergeant majors etc. However it still manages to be enjoyable and entertaining even if it never really feels original or new. It is a pretty nondescript film with no specific edge on it - and that is part of the reason I think it really didn't do that good business when it was released here in the UK. It relies very heavily on the characters to keep the audience involved in the story and preventing it being seen as just a collection of old ideas; this aspect is helped by the fact that it is drawing on original material, experiences and people.
A much bigger part of the characters being engaging is the playing of them by the cast. Farrell is the lead actor and is miles ahead of everyone else. This film is one of many that made him the star he now is, and he does deserve it off the back of this and he is really good here - coming across as likeable and difficult. Outside of him, everyone plays well but are generally in their various stereotypes; aside from Farrell, Collins is the standout role - too often seen playing gang bangers and such on TV cops shows, he delivers a solid character and presents a believable breakdown over the course of the film.
Keeping my habit of never paying to see an Schumacher film since Batman & Robin took the last faith in his talent, I waited for this to come onto TV. I was surprised however to see that Schumacher managed to do the film without spoiling it - in fact he came across as rather able! He uses mainly handheld cameras and delivers a gritty feel to the whole film that is fitting to the material. I hate to admit it, but he actually did a reasonable job here and he has now done a couple of films that he hasn't ruined in one way or another! I may have to change my mind about not paying for his films - well, maybe not.
Overall this is a rather undistinguished film but one that is enjoyable as a character driven drama, trading on the usual clichés of the genre. It goes where you more or less expect it to but it goes there and takes you with it. Farrell makes a good leading man and on this evidence he is worthy of leading man status where he has good support.
- bob the moo
- 12 mar 2004
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 139,692
- Fin de semana de estreno en EE. UU. y Canadá
- USD 26,715
- 8 oct 2000
- Total a nivel mundial
- USD 148,701
- Tiempo de ejecución1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was Camino de guerra (2000) officially released in India in English?
Responda