Un inglés extremadamente volátil y peligroso va a Los Ángeles para encontrar al hombre al que considera responsable de la muerte de su hija.Un inglés extremadamente volátil y peligroso va a Los Ángeles para encontrar al hombre al que considera responsable de la muerte de su hija.Un inglés extremadamente volátil y peligroso va a Los Ángeles para encontrar al hombre al que considera responsable de la muerte de su hija.
- Premios
- 1 premio ganado y 9 nominaciones en total
- Ed
- (as Luis Guzman)
- Uncle John
- (as Joe Dallessandro)
- Pool Hall Creep
- (as Wayne Péré)
- DEA Guy
- (as John Cothran Jr.)
- DEA Guy
- (as Ousan Elam)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaFootage from the 1967 film Pobre vaca (1967) (Ken Loach's directorial debut) is featured as flashbacks of Wilson (Terence Stamp) with his baby daughter and wife.
- ErroresWhen Wilson and Elaine return to her apartment after she finishes work on the film set, in the first two shots of them driving into the garage, Wilson's car has no damage on the side from the previous car chase sequence. However, in the rest of the scene, where the car is parked, the damage on the side of the car is there again.
- Citas
Wilson: How you doin' then? All right, are you? Now look, squire, you're the guv'nor here, I can see that. I'm in your manor now. So there's no need to get your knickers in a twist. Whatever this bollocks is that's going down between you and that slag Valentine, it's got nothing to do with me. I couldn't care less. Alright, mate? Let me explain. When I was in prison - second time - uh, no, telling a lie, third stretch, yeah, third, third - there was this screw what really had it in for me, and that geezer was top of my list. Two years after I got sprung, I sees him in Holland Park. He's sittin' on a bench feedin' bloody pigeons. There was no-one about, I could've gone up behind him and snapped his fuckin' neck, *wallop!* But I left it. I could've knobbled him, but I didn't. 'Cause what I thought I wanted wasn't what I wanted. What I thought I was thinkin' about was something else. I didn't give a toss. It didn't matter, see? This berk on the bench wasn't worth my time. It meant sod-all in the end, 'cause you gotta make a choice: when to do something, and when to let it go. When it matters, and when it don't. Bide your time. That's what prison teaches you, if nothing else. Bide your time, and everything becomes clear, and you can act accordingly.
- ConexionesEdited from Pobre vaca (1967)
- Bandas sonorasThe Seeker
Performed by The Who
Written by Pete Townshend
Published by Windswept Pacific Songs o/b/o Towser Tunes, Inc./ABKCO Music, Inc./Fabulous Music Limited
Courtesy of MCA Records/Polydor Limited
Under license from EMI Music Special Markets
I watched it again on 12 January 2018 and I have to own up to the fact that I must have been less than attentive when I first watched it. This time, I found the acting excellent across the board, the script far more interesting than I remembered, photography highly effective and economical, action sequences quite riveting, and director Steven Soderbergh to be in inspired form, even in his judicious use of flashbacks.
Do not take me wrong, THE LIMEY is not a masterpiece - and never purports to be anything even close. It is just a film well aware of its limitations, and highly credible because of that.
- adrian-43767
- 11 ene 2018
- Enlace permanente
Selecciones populares
- How long is The Limey?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Limey
- Locaciones de filmación
- The Astral House, 2210 Astral Place, Los Ángeles, California, Estados Unidos(Terry Valentine's house)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,204,663
- Fin de semana de estreno en EE. UU. y Canadá
- USD 187,122
- 10 oct 1999
- Total a nivel mundial
- USD 3,325,736
- Tiempo de ejecución1 hora 29 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1