Todas as Mulheres do Mundo

The very first movie directed by Domingos de Oliveira is a romantic comedy, a good one. His late-years movies had his indistinguishable mark, talking a lot about feelings and relationships in a quite auto-biographical way (Domingos Oliveira was a kind of Brazilian Woody Allen, but not Jeweish, much more often drunken, and changing New York for Rio de Janeiro), making films with much more (smart) dialogs than action, using a lot of friends' homes as sets due to always stretch budget. Well, this film diverges from most of these traits, with a lot of outdoor footage, many different sets and the director is not one of the actors. However, the kind of dialogs, fast talking by leading role character and plot involving complicated love affairs already showed the signature style Doningos de Oliveira would develop in his quite authoral cinema. Besides that, watching Paulo Jisé and Leila Diniz, besides Flavio Miggliacio and Joana Fonn, is something nice.