Día de entrenamiento

Título original: Training Day

2001
C
2h 2min

CALIFICACIÓN DE IMDb

7.8/10

487 k

TU CALIFICACIÓN

POPULARIDAD

875

172

Ethan Hawke and Denzel Washington in Día de entrenamiento (2001)

A rookie cop spends his first day as a Los Angeles narcotics officer with a rogue detective who isn't what he appears to be.

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Cop Drama Drug Crime Gangster Police Procedural Tragedy Crime Drama Thriller

En su primer día de trabajo como oficial de narcóticos, un policía novato acaba con un inusual detective que no es lo que parece.En su primer día de trabajo como oficial de narcóticos, un policía novato acaba con un inusual detective que no es lo que parece.En su primer día de trabajo como oficial de narcóticos, un policía novato acaba con un inusual detective que no es lo que parece.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

7.8/10

487 k

TU CALIFICACIÓN

POPULARIDAD

875

172

Ver la información de producción en IMDbPro

Ganó 1 premio Óscar
- 18 premios ganados y 23 nominaciones en total

Sara
(as Eva Mendez)

Nick Chinlund

Jaime Gomez

Mark
(as Jaime P. Gomez)

Raymond Cruz

Sniper

Noel Gugliemi

Moreno
(as Noel Guglielmi)

Samantha Esteban

Letty
(as Samantha Becker)

Richard Browner

Waiter (Dining Car)

Argumento

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Trivia
The line "King Kong ain't got shit on me!" was ad-libbed by Denzel Washington.

Errores
After stealing Sandman's money, three bullets are fired through the back window of the Monte Carlo as Jake and Alonzo drive off. At the angle they were fired, all three bullets would have exited the car through the windshield or would be driven through the driver and/or passenger seats, yet all three bullets magically disappear without striking anything once they go through the back window.

Citas
Alonzo Harris: [to the residents of The Jungle] Aww, you motherfuckers. Okay. Alright. I'm putting cases on all you bitches. Huh. You think you can do this shit... Jake. You think you can do this to me? You motherfuckers will be playing basketball in Pelican Bay when I get finished with you. SHU program, nigga. 23 hour lockdown. I'm the man up in this piece. You'll never see the light of... who the fuck do you think you're fucking with? I'm the police, I run shit around here. You just live here. Yeah, that's right, you better walk away. Go on and walk away... 'cause I'm gonna' burn this motherfucker down. King Kong ain't got shit on me. That's right, that's right. Shit, I don't, fuck. I'm winning anyway, I'm winning... I'm winning any motherfucking way. I can't lose. Yeah, you can shoot me, but you can't kill me.

Créditos curiosos
There are no opening credits after the title is shown.

Conexiones
Featured in Siskel & Ebert & the Movies: Hardball/The Musketeer/Glass House/Rock Star/Diamond Men (2001)

Bandas sonoras
Cry Freedom
Written by Franky Perez
Performed by Franky Perez
Courtesy of Lava/Atlantic Recording Corp.
By Arrangement with Warner Special Products

Opiniones de usuarios843

Opinión

Opinión destacada

9/10

Great acting by Washington and Hawke Excellent Thriller - Action Film!

This movie impressed me by its great quality in all ways, the story, thrilling with great police detective action and the most remarkable aspect of the movie was the acting performances of Denzel Washington and Ethan Hawke; they put his soul on the characters making this movie a total delight for those who like action films with intelligent scripts and also like for high quality films.

About the Movie: Ethan Hawke plays Jake Hoyt, a rookie police officer with a good curriculum that is assigned to a one day trial day in order to qualify for a narcotics division in Los Angeles. Hawke meets then detective Alonzo Haris (Denzel Washington) who was assigned as trainer and evaluator for this rookie. Hoyt wants fiercely to get this assignment, but finds very orthodoxes and quaint ways to "protet and to serve" of Alonzo. In this day Hoyt will meet a true challenge and will face the total opposite way to proceed from the one he learned in the academy; he will also face some of the more dangerous neighborhoods and streets of Los Angeles.