Un abogado se convierte en blanco de un político corrupto y sus matones de la NSA cuando accidentalmente recibe evidencias clave para un crimen serio por motivos políticos.Un abogado se convierte en blanco de un político corrupto y sus matones de la NSA cuando accidentalmente recibe evidencias clave para un crimen serio por motivos políticos.Un abogado se convierte en blanco de un político corrupto y sus matones de la NSA cuando accidentalmente recibe evidencias clave para un crimen serio por motivos políticos.
- Dirección
- Guionista
- Elenco
- Premios
- 5 premios ganados y 16 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaGene Hackman turned down this movie several times, but was ultimately convinced to sign on after a phone call by director Tony Scott. Will Smith later signed on at a relative post-Día de la independencia (1996) bargain price because he wanted to work with Hackman.
- ErroresWhen Dean is running on the hotel roof after Brill leaves him, the surveillance team reports that the satellite is coming on-line with "one meter resolution". One meter resolution indicates that the smallest pixel (detail) that can be seen is 1 meter by 1 meter while the film clearly suggests that the satellite has enough resolution to see Dean running. Assuming you would need at least "web-cam" resolution (75 pixels-per-inch), the satellite resolution would need to be roughly 2,800 times higher than one meter (38 inches x 75 pixels per inch = 2,850).
- Citas
Robert Clayton Dean: What the hell is happening?
Brill: I blew up the building.
Robert Clayton Dean: Why?
Brill: Because you made a phone call.
- Versiones alternativasAlso available in an "Unrated Extended Edition" which features some new/extended footage (ca. 7 minutes) like some explicit shots of the senator with his secretary or Dean finding his dead ex-girlfriend covered in blood.
- ConexionesEdited into 24: 12:00 a.m.-1:00 a.m. (2001)
- Bandas sonorasO Come All Ye Faithful
(Also known as "Adeste Fidelis")
Music attributed to John Reading (uncredited)
Arranged by Margaret Dorn, Linda Lawley, Danny Pelfrey
Performed by The Accidentals
Courtesy of Amusicom Records
Opinión destacada
Sucessful lawyer Robert Dean is passed information by an old friend without noticing. Seconds later that friend is killed and Dean is targeted by a group within the Government who wish to cover up a conspiracy involving the murder of a congressman. With the Government's full weight of surveillance equipment brought to bear Dean turns to ex-NSA agent Brill to help protect him, find the information and get it out into the open.
This is much better than the ususal summer crash, bang, wallop stuff we usually get fed. It's greatly helped by the sense of paranonia that runs through the whole story from the Government's power and corruption at some levels. The film starts well, with 'everyman' Dean being drawn into a game of cat and mouse, framed for a crime he didn't commit and forced to go on the run from Government agents. Will Smith carries the film only so far but it realy gets interesting when Hackman turns up as Brill. He casts light on the ability of the government and is almost able to play them at their own game. Brill makes an appearance when the film starts to become too much of a staight chase movie.
To me the use of Hackman as Brill is the best bit of casting ever and makes this film stand out as being clever. In the 70's Hackman played a surveillance expert in Copolla's The Conversation. The film ends with Hackman being monitored himself, with him ripping his house apart looking for the bugs. What makes his casting as Brill so good is that Brill is where Hackman's "The Conversation" character would be 20 years on - it feels like it's the same character again. The director also deserves a lot of praise - he manages to keep the pace up throughout the film, whether it be scenes of chasing action or technological pursuit. The script helps as well - the conspiracy and the paranoia is strong throughout.
Smith is good in the lead, but he isn't quite as good an "everyman" as classic actors as Cary Grant or James Stewart were. Smith also struggles to carry the whole movie and the chases do get a bit samey after a while. Fortunately Hackman is brilliant as Brill, he is a classy actor and brings a lot of weight to the film just as Smith begins to feel the strain. Jon Voight is also good as the villian of the piece. The supporting cast is deep! There were so many famous faces in small roles that I really felt this was an allstar cast, despite the fact that it's a Smith vehicle. Gabriel Byrne makes a fleeting appearance, Ian Hart is there, Jake Busey (son of Gary) shows up, Jason Lee (actor in many Kevin Smith films) witnesses the murder, a gorgeous Lisa Bonet has a small part, James Le Gros, Regina King etc etc. The cast is well packed with famous faces - they don't all get the chance to put on a show but it adds quality at all levels.
Overall this is a fancy chase movie, but good direction, a strong and deep cast and a fantastic Hackman all make this film much better than it could have been. The last scene of the film is a little too upbeat but other than that it's pretty good stuff.
This is much better than the ususal summer crash, bang, wallop stuff we usually get fed. It's greatly helped by the sense of paranonia that runs through the whole story from the Government's power and corruption at some levels. The film starts well, with 'everyman' Dean being drawn into a game of cat and mouse, framed for a crime he didn't commit and forced to go on the run from Government agents. Will Smith carries the film only so far but it realy gets interesting when Hackman turns up as Brill. He casts light on the ability of the government and is almost able to play them at their own game. Brill makes an appearance when the film starts to become too much of a staight chase movie.
To me the use of Hackman as Brill is the best bit of casting ever and makes this film stand out as being clever. In the 70's Hackman played a surveillance expert in Copolla's The Conversation. The film ends with Hackman being monitored himself, with him ripping his house apart looking for the bugs. What makes his casting as Brill so good is that Brill is where Hackman's "The Conversation" character would be 20 years on - it feels like it's the same character again. The director also deserves a lot of praise - he manages to keep the pace up throughout the film, whether it be scenes of chasing action or technological pursuit. The script helps as well - the conspiracy and the paranoia is strong throughout.
Smith is good in the lead, but he isn't quite as good an "everyman" as classic actors as Cary Grant or James Stewart were. Smith also struggles to carry the whole movie and the chases do get a bit samey after a while. Fortunately Hackman is brilliant as Brill, he is a classy actor and brings a lot of weight to the film just as Smith begins to feel the strain. Jon Voight is also good as the villian of the piece. The supporting cast is deep! There were so many famous faces in small roles that I really felt this was an allstar cast, despite the fact that it's a Smith vehicle. Gabriel Byrne makes a fleeting appearance, Ian Hart is there, Jake Busey (son of Gary) shows up, Jason Lee (actor in many Kevin Smith films) witnesses the murder, a gorgeous Lisa Bonet has a small part, James Le Gros, Regina King etc etc. The cast is well packed with famous faces - they don't all get the chance to put on a show but it adds quality at all levels.
Overall this is a fancy chase movie, but good direction, a strong and deep cast and a fantastic Hackman all make this film much better than it could have been. The last scene of the film is a little too upbeat but other than that it's pretty good stuff.
- bob the moo
- 20 dic 2001
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Enemy of the State
- Locaciones de filmación
- 1633 Connecticut Avenue Northwest, Washington, Columbia, Estados Unidos(Zavitz gets hit by a car)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 90,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 111,549,836
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,038,573
- 22 nov 1998
- Total a nivel mundial
- USD 250,849,789
- Tiempo de ejecución2 horas 12 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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