Simon Birch

A film of many charming features, indeed, but what struck me as the most impressive quality of it, was its delicate balance between comedy and tragedy. Strolling ahead on a tight rope, with abyss on either side - that of despair and that of burlesque - and never falling. It even succeeds in a most daring balance between pity and parody.

Portraying a boy with such a severe physical handicap, and with terrible parents at that, would normally tie any director's hands and feet, and the result would be sweet, at best. In this film, though, we are even allowed to smile at the odd clashes between the normal and that which is not, and laugh at the situation comedy evolving. The result is endearing, truly compassionate.

And the acting is tremendous, especially from Joseph Mazzello and Ian Michael Smith, the two boys in a very odd couple friendship. Mazzello is breathtaking in scenes of such emotional complexity that most actors would be wise to find an easy way out. I have no idea how he does it, but certainly it is by talent - no schooling gives that kind of tools.

The plot is overly complex, with several 'deus ex machina' events uncalled for, et cetera - probably in fear that the skilled balance of the film and the nerve of the acting would not suffice. But they do, and then some.