Dos mejores amigos se refugian en el centro comercial después de que sus novias los dejen.Dos mejores amigos se refugian en el centro comercial después de que sus novias los dejen.Dos mejores amigos se refugian en el centro comercial después de que sus novias los dejen.
- Dirección
- Guionista
- Elenco
Renée Humphrey
- Tricia
- (as Renee Humphrey)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- Trivia(at around 10 mins) Brodie's comic book collection seen in the movie was director Kevin Smith's collection at the time (which has grown considerably since). The collection is what Smith was able to purchase back after selling his original collection to finance production of Clerks, detrás del mostrador (1994).
- ErroresWhen Brodie and TS first arrive at the mall, the license plates on the cars state New Jersey, then the remainder show Minnesota.
- Créditos curiososEnd credits finish with: Jay and Silent Bob will return in "Chasing Amy"
- Versiones alternativasThere is also a 10th Anniversary Extended Edition, running 2hours and 2 minutes.
- ConexionesFeatured in Siskel & Ebert & the Movies: Get Shorty/Now and Then/Mallrats (1995)
Opinión destacada
As most Smith fanboys know, Mallrats has been trashed critically, financially (bad box-office) and by a lot of Smith's own fan-base.
Personally I like it. Even without watching the DVD with commentary by Smith its obvious that this outing was backed by Hollywood, emitting a polish and lack of gloom that his other films don't have and thus gaining flack over its lack of "Indie" look and feel and hammy storyline. Had this film been in black in white, shot using a cheaper production method, or had a less happier ending, it possibly would have fared better with the fans than it did.
Listen to the dialogue though and its soon apparent this is indeed pure Smith. And it shines. The long diatribes about seemingly nothing, the anti-establishment rumblings of Brody (who ironically spends a lot of the film clarifying escalator ettiquite and other mall law), and a bigger involvement of Jay and Bob (but not too much) make this as good, if not better than the other Kevin Smith films and quite possibly my favourite of his.
Its hard to rate this film, you'll either really like it and give it a 10 or tuck into another chocolate pretzel after giving it a 1.
Personally I like it. Even without watching the DVD with commentary by Smith its obvious that this outing was backed by Hollywood, emitting a polish and lack of gloom that his other films don't have and thus gaining flack over its lack of "Indie" look and feel and hammy storyline. Had this film been in black in white, shot using a cheaper production method, or had a less happier ending, it possibly would have fared better with the fans than it did.
Listen to the dialogue though and its soon apparent this is indeed pure Smith. And it shines. The long diatribes about seemingly nothing, the anti-establishment rumblings of Brody (who ironically spends a lot of the film clarifying escalator ettiquite and other mall law), and a bigger involvement of Jay and Bob (but not too much) make this as good, if not better than the other Kevin Smith films and quite possibly my favourite of his.
Its hard to rate this film, you'll either really like it and give it a 10 or tuck into another chocolate pretzel after giving it a 1.
- bradc-2
- 5 jul 2003
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Las ratas del centro comercial
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,122,561
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,153,838
- 22 oct 1995
- Total a nivel mundial
- USD 2,122,561
- Tiempo de ejecución1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Japanese language plot outline for Jóvenes modernos (1995)?
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