CALIFICACIÓN DE IMDb
6.6/10
9.6 k
TU CALIFICACIÓN
Después del funeral de uno de los suyos, una familia criminal decide embarcarse en un viaje emocionalmente desconcertante en un intento de vengarse sangrientamente.Después del funeral de uno de los suyos, una familia criminal decide embarcarse en un viaje emocionalmente desconcertante en un intento de vengarse sangrientamente.Después del funeral de uno de los suyos, una familia criminal decide embarcarse en un viaje emocionalmente desconcertante en un intento de vengarse sangrientamente.
- Premios
- 2 premios ganados y 7 nominaciones en total
Gian DiDonna
- Ray Sr.
- (as Gian Di Donna)
Dmitri Prachenko
- Sentieri
- (as Dmitry Prachenko)
Gregory Perrelli
- Young Chez
- (as Gregory Pirelli)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaJohnny is the youngest of the three brothers, while Chez is the middle child. However, Chris Penn was in fact four years younger than Vincent Gallo.
- ErroresJohnny is dead in his coffin, but he flinches when someone brushes his eyebrows.
- Citas
[first lines]
Humphrey Bogart: Just keep in mind that I and the boy are a candidate for hangin'. And the first time any one of ya makes a wrong move, I'm gonna kill the whole lot of ya!
- Bandas sonorasGloomy Sunday
Written by Rezsö Seress (as Rezso Seress) and László Jávor (as Laszlo Javor)
Performed by Billie Holiday
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
Opinión destacada
The lives of gangster brothers Ray, Chet and Johnny are changed forever when Johnny is killed. His funeral acts as a time to look back at the past but also to look inwardly and to the future. The story is told in flashbacks that mix the past and present to see a gangster life style in all it's glory.
The story here is straightforward however it's multi-layered flashbacks and subplots make it too confusing at times. In simple terms it is two stories Johnny before he is killed, and the lives of his brothers afterwards. The characters make it come to life but the drama inherent in the subject matter helps as well. The story mixes `real' lives, violence and some black humour to good effect the overall point being the point made by Sciorra when she says `there's nothing romantic about it at all'.
The cast are good in particular the Ferrara regulars. Walken gives a more emotional version of his King of New York character and carries much of the moral debate with himself and others. Penn is also good as the self destructive brother and gives a powerful performance without becoming OTT (a la Nice Guy Eddie). Gallo is good although his character is not fully explained why did he look for trouble, why the interest in worker's rights? Rossellini, Argo and Soprano's Ventimiglia are all good and del Toro does yet another quiet cool role.
Overall this is a good film it is graphic and dark, but not as much as some of his other films. The subject matter will appeal to the mass audience (most people seem to like mobster movies) and his unromantic spin on the genre makes up for the occasionally bitty storyline.
The story here is straightforward however it's multi-layered flashbacks and subplots make it too confusing at times. In simple terms it is two stories Johnny before he is killed, and the lives of his brothers afterwards. The characters make it come to life but the drama inherent in the subject matter helps as well. The story mixes `real' lives, violence and some black humour to good effect the overall point being the point made by Sciorra when she says `there's nothing romantic about it at all'.
The cast are good in particular the Ferrara regulars. Walken gives a more emotional version of his King of New York character and carries much of the moral debate with himself and others. Penn is also good as the self destructive brother and gives a powerful performance without becoming OTT (a la Nice Guy Eddie). Gallo is good although his character is not fully explained why did he look for trouble, why the interest in worker's rights? Rossellini, Argo and Soprano's Ventimiglia are all good and del Toro does yet another quiet cool role.
Overall this is a good film it is graphic and dark, but not as much as some of his other films. The subject matter will appeal to the mass audience (most people seem to like mobster movies) and his unromantic spin on the genre makes up for the occasionally bitty storyline.
- bob the moo
- 15 mar 2002
- Enlace permanente
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- How long is The Funeral?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 12,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,227,324
- Fin de semana de estreno en EE. UU. y Canadá
- USD 41,768
- 3 nov 1996
- Total a nivel mundial
- USD 1,227,324
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By what name was The Funeral (1996) officially released in India in English?
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