CALIFICACIÓN DE IMDb
6.3/10
67 k
TU CALIFICACIÓN
Una mujer finge su muerte en un intento de escapar de su horrible matrimonio, pero descubre que es imposible evitar a su controlador marido.Una mujer finge su muerte en un intento de escapar de su horrible matrimonio, pero descubre que es imposible evitar a su controlador marido.Una mujer finge su muerte en un intento de escapar de su horrible matrimonio, pero descubre que es imposible evitar a su controlador marido.
- Premios
- 2 premios ganados y 4 nominaciones en total
Bonnie Johnson
- Mrs. Nepper
- (as Bonnie Cook)
John Ward
- Theater Student
- (as John David Ward)
Patt Noday
- Amusement Park Guy #2
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaJulia Roberts, who was 22 when the film was shot in the spring of 1990, became the youngest actress to earn a seven-figure fee for a single performance.
- ErroresThe cut/bruise on Laura's head comes and goes. After she is hit by Martin leaving a nasty abrasion on the left side of her forehead, he leaves to go to town after telling her they will sail that night. She goes outside to break the lantern, and the wind blows her hair off her forehead - no bruise. Later that night, she has her hair back in a braid, before they get on the boat - no bruise. Then, when she meets Ben a couple days later, she flips her hair off to one side and he sees the bruise. The very next day (or soon after) she has her hair back again with Ben, no bruise.
- Créditos curiososThe 20th Century Fox logo plays without the fanfare.
- Versiones alternativasWhen Laura first goes to Ben's house for dinner and the pot roast is on fire she knocks and says "Fire Department." In an alternate cut she knocks and asks "Is this what they mean by warm welcome?".
- Bandas sonorasRunaround Sue
Written by Dion DiMucci and Ernie Maresca
Performed by Dion DiMucci (as Dion)
Courtesy of Laurie Records
Opinión destacada
I found this movie, if not terribly believable, very moving and emotional when I saw it some years back. Julia Roberts brings a real vulnerability to all her roles, and is perfect here as the affluent but both mentally and physically abused wife.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
- roghache
- 15 mar 2006
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 19,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 101,599,005
- Fin de semana de estreno en EE. UU. y Canadá
- USD 13,777,943
- 10 feb 1991
- Total a nivel mundial
- USD 174,999,005
- Tiempo de ejecución1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
What is the streaming release date of Durmiendo con el enemigo (1991) in Canada?
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