Un joven piloto prueba un prototipo que le permite convertirse en un héroe enmascarado.Un joven piloto prueba un prototipo que le permite convertirse en un héroe enmascarado.Un joven piloto prueba un prototipo que le permite convertirse en un héroe enmascarado.
- Premios
- 1 premio ganado y 6 nominaciones en total
Billy Campbell
- Cliff
- (as Bill Campbell)
Robert Miranda
- Spanish Johnny
- (as Robert Guy Miranda)
Argumento
¿Sabías que…?
- TriviaDave Stevens, the writer/artist of the original graphic novel, gave the film's production designer Jim Bissell and his two art directors his entire reference library pertaining to the Rocketeer at that time period, including blueprints for hangars and bleachers, schematics for building the autogyro, photos and drawings of the Bulldog Cafe, the uniforms for the air circus staff, and contacts for locating the vintage aircraft that were to be used. Stevens remembers that they "literally just took the reference and built the sets".
- ErroresWhen the Nazi agent is yelling at Sinclair, he shouts, "Ich habe meine Bestellung, und du auch!" ("I have my order, and so do you!") The German word for a military order is "Befehl." "Bestellung" is the order you give to a waiter.
- Citas
Neville Sinclair: [on the road leading to the Griffith Observatory] C'mon, Eddie. I'm paying you well. Does it really matter where the money comes from?
[siding with the G-men to fight the Nazis]
Eddie Valentine: It matters to me. I may not make an honest buck, but I'm 100% American. I don't work for no two-bit Nazi. Let the girl go!
[Neville laughs, then calls out - in German - a group of hidden armed Sturmabteilung German soldiers who promptly hold everyone at gunpoint]
- ConexionesFeatured in Rocketeer: Excitement in the Air (1991)
- Bandas sonorasDer Hoelle Rache
from Queen of the Night's "Aria" by Wolfgang Amadeus Mozart
Performed by Rundfunk-Sinfonieorchester Berlin
Courtesy of Laserlight Digital, by arrangement with Sounds of Film
Opinión destacada
I was chomping at the bit, waiting for this movie to come out, back in 1991. I had loved the Dave Stevens comics since I first encountered them (ironically, at the same time I had read about Bettie Page in an article about Bunny Yeager, in a photography magazine). The comic captured the spirit of 1930's aviation pulps, as well as the Doc Savage crowd. It also brought along that Republic Studios flavor. I couldn't wait to see this as a movie.
The movie captured the spirit of the comics beautifully. Sure it was disappointing that Doc Savage couldn't be included, but Howard Hughes made a sensible substitution. I was a bit annoyed that Disney felt they had to change Betty into Jenny, but with Jennifer Connelly in the role, I was in a forgiving mood. The film was full of action and humor, cliffhangers and character; just like Stevens' creation. If there was anything to criticize, it was the toning down of Betty/Jenny. Yeah, I know, this is Disney, and she was far tamer in the comics than the real Betty/Bettie Page; but, hey, a guy can hope.
Bill Campbell was perfect for Cliff Secord. He had that All-American look, with an impish twinkle in his eye. Watching the movie, you could see the excitement when he was flying, and that he was head over heels in love with Jenny.
Alan Arkin made a great Peevy, although he was far less cantankerous than his print counterpart (incidentally, Peevy was based on Doug Wildey, creator of Jonny Quest). He was more of a Connecticut Yankee than grouchy mechanic.
Timothy Dalton made a great pseudo-Errol Flynn. I wasn't too happy that they trotted out that Flynn-as-Nazi Spy nonsense; but, it works beautifully for the story. Paul Sorvino made a great 30's mobster, too. Add Tiny Ron as Lothar, modeled after Rondo Hatton, and you have some pretty fun villains.
Then, there's Jennifer Connelly, one of the most beautiful and talented actresses in Hollywood. As I said, I had hoped for a little sexier character; but, the compromise was still pretty good. Connelly brought both a wholesomeness and sex appeal to the role. She looked great in the period clothing, too.
Everything about this film worked. The period detail was first rate, from the costumes, to he set design, to the slang. The only thing that would have improved this would have been to make more films. This is a great film for the whole family and captures the spirit of Republic and the pulps as well as Indiana Jones did.
The movie captured the spirit of the comics beautifully. Sure it was disappointing that Doc Savage couldn't be included, but Howard Hughes made a sensible substitution. I was a bit annoyed that Disney felt they had to change Betty into Jenny, but with Jennifer Connelly in the role, I was in a forgiving mood. The film was full of action and humor, cliffhangers and character; just like Stevens' creation. If there was anything to criticize, it was the toning down of Betty/Jenny. Yeah, I know, this is Disney, and she was far tamer in the comics than the real Betty/Bettie Page; but, hey, a guy can hope.
Bill Campbell was perfect for Cliff Secord. He had that All-American look, with an impish twinkle in his eye. Watching the movie, you could see the excitement when he was flying, and that he was head over heels in love with Jenny.
Alan Arkin made a great Peevy, although he was far less cantankerous than his print counterpart (incidentally, Peevy was based on Doug Wildey, creator of Jonny Quest). He was more of a Connecticut Yankee than grouchy mechanic.
Timothy Dalton made a great pseudo-Errol Flynn. I wasn't too happy that they trotted out that Flynn-as-Nazi Spy nonsense; but, it works beautifully for the story. Paul Sorvino made a great 30's mobster, too. Add Tiny Ron as Lothar, modeled after Rondo Hatton, and you have some pretty fun villains.
Then, there's Jennifer Connelly, one of the most beautiful and talented actresses in Hollywood. As I said, I had hoped for a little sexier character; but, the compromise was still pretty good. Connelly brought both a wholesomeness and sex appeal to the role. She looked great in the period clothing, too.
Everything about this film worked. The period detail was first rate, from the costumes, to he set design, to the slang. The only thing that would have improved this would have been to make more films. This is a great film for the whole family and captures the spirit of Republic and the pulps as well as Indiana Jones did.
- grendelkhan
- 2 may 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Rocketeer
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 46,704,056
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,600,754
- 23 jun 1991
- Total a nivel mundial
- USD 46,704,906
- Tiempo de ejecución1 hora 48 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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By what name was Rocketeer: El hombre cohete (1991) officially released in India in English?
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