CALIFICACIÓN DE IMDb
6.6/10
20 k
TU CALIFICACIÓN
Los amigos y familiares de un arquitecto negro casado reaccionan de diferentes maneras ante su romance con una secretaria italiana.Los amigos y familiares de un arquitecto negro casado reaccionan de diferentes maneras ante su romance con una secretaria italiana.Los amigos y familiares de un arquitecto negro casado reaccionan de diferentes maneras ante su romance con una secretaria italiana.
- Dirección
- Guionista
- Elenco
- Premios
- 6 premios ganados y 11 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaSamuel L. Jackson had just undergone treatment for drug addiction, and had only two weeks from his discharge from rehab to the start of filming. Jackson has gone on record as saying that Gator's ravaged look was not make-up, but actually the result of Jackson's own detoxification.
- ErroresAt the start of the film, Flipper Purify tells his boss that he objects to having a white secretary, and instead demands "a woman of color." That would have resulted in his dismissal, especially in a New York City company. Such a demand would have been in open violation of local, state and federal civil rights laws banning discrimination in hiring based on race.
- Citas
Lucinda Purify: What happened to the color TV?
Gator Purify: Mama, I smoked the color TV!
- Créditos curiososThe opening credits are printed on roadsigns that move across the frame.
- ConexionesEdited into 2 Everything 2 Terrible 2: Tokyo Drift (2010)
- Bandas sonorasBless This House
Music by May H. Brahe
Words by Helen Taylor
Used by permission of Boosey & Hawkes, Inc., ASCAP
Performed by Mahalia Jackson
Courtesy of Columbia Records
by arrangement with Sony Music Licensing
Opinión destacada
Flipper Purify is a successful architect with a beautiful wife and a smart young daughter back at his apartment. When he gets a new temp in to work alongside him he is not pleased that she is white but her hard work impresses him. Working late one night, chatting becomes a connection which becomes flirting which becomes sex. Their affair continues even as Flipper quits his job to branch out alone. However his life is thrown into chaos when his wife Drew finds out.
The opening credits are catchy and the material is just the sort of racial issue that Spike Lee made his name but somehow the film itself really failed to catch my imagination or hold my attention. The central plot is simple enough but Lee fills it out with characters, debate and a couple of subplots but yet somehow doesn't manage to pull it all together into one compelling film. Of course those that like Spike Lee know that even when he is at his most average he can still make an interesting film. And so it is here because the film does have plenty of interesting scenes but it is the narrative and formulation of his point where it fails to come off. In his defence Lee has written some convincingly real characters with unfortunately real attitudes but by leaving these people mostly unchallenged to deliver their opinions he allows two things to happen. Firstly the film feels like a series of disjointed conversations most of which are interesting enough to listen to but don't a total film make.
Secondly, and more importantly, Lee appears to be in agreement with some of his characters that mixed race relationships are not a good idea. If this is not his opinion then he has done a poor job in putting his thoughts across. If he is in agreement then he has done a poor job in presenting this point in a coherent and convincing fashion. Instead it seems like the racists have won which is maybe is his point but if so yet again he hasn't done a good job of putting it across. In fact thinking about it, his point probably is that it all isn't worth the effort but, like I say, it isn't very well delivered and a lot of the ideas are half-cooked. The cast make it well worth a look regardless thanks to Lee's usual skill in assembling his actors. Snipes has massively fallen from grace in regards his career and his personal life but here he is pretty good. The material is just a little beyond his range but he does the basics well. Sciorra is better and works well with him. Lee is Lee while McKee is rather wasted with her simplistic race rage. Quinn is a nice touch in support while Turturro is as good as I have come to expect from him. Davis and Dee are good but they exist in another film, albeit the drugs subplot is interesting and both Jackson and Berry are impressive but it doesn't really fit. Lee's direction is his usual style but his use of soundtrack is weak the tunes themselves are good but he doesn't put them across the film with any reason or sense of meaning.
Overall then an fitfully interesting film as is usually the way with Lee but one that failed to come together or deliver a convincing central message. The depressing message that does come across isn't that well made and as a result isn't as thought provoking as it should have been. The casting is interesting though and the performances mostly do as required in the many good individual scenes. Famous but not as good as the names attached would make you hope.
The opening credits are catchy and the material is just the sort of racial issue that Spike Lee made his name but somehow the film itself really failed to catch my imagination or hold my attention. The central plot is simple enough but Lee fills it out with characters, debate and a couple of subplots but yet somehow doesn't manage to pull it all together into one compelling film. Of course those that like Spike Lee know that even when he is at his most average he can still make an interesting film. And so it is here because the film does have plenty of interesting scenes but it is the narrative and formulation of his point where it fails to come off. In his defence Lee has written some convincingly real characters with unfortunately real attitudes but by leaving these people mostly unchallenged to deliver their opinions he allows two things to happen. Firstly the film feels like a series of disjointed conversations most of which are interesting enough to listen to but don't a total film make.
Secondly, and more importantly, Lee appears to be in agreement with some of his characters that mixed race relationships are not a good idea. If this is not his opinion then he has done a poor job in putting his thoughts across. If he is in agreement then he has done a poor job in presenting this point in a coherent and convincing fashion. Instead it seems like the racists have won which is maybe is his point but if so yet again he hasn't done a good job of putting it across. In fact thinking about it, his point probably is that it all isn't worth the effort but, like I say, it isn't very well delivered and a lot of the ideas are half-cooked. The cast make it well worth a look regardless thanks to Lee's usual skill in assembling his actors. Snipes has massively fallen from grace in regards his career and his personal life but here he is pretty good. The material is just a little beyond his range but he does the basics well. Sciorra is better and works well with him. Lee is Lee while McKee is rather wasted with her simplistic race rage. Quinn is a nice touch in support while Turturro is as good as I have come to expect from him. Davis and Dee are good but they exist in another film, albeit the drugs subplot is interesting and both Jackson and Berry are impressive but it doesn't really fit. Lee's direction is his usual style but his use of soundtrack is weak the tunes themselves are good but he doesn't put them across the film with any reason or sense of meaning.
Overall then an fitfully interesting film as is usually the way with Lee but one that failed to come together or deliver a convincing central message. The depressing message that does come across isn't that well made and as a result isn't as thought provoking as it should have been. The casting is interesting though and the performances mostly do as required in the many good individual scenes. Famous but not as good as the names attached would make you hope.
- bob the moo
- 17 dic 2006
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Jungle Fever?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Jungle Fever
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 14,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 32,482,682
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,332,860
- 9 jun 1991
- Total a nivel mundial
- USD 43,882,682
- Tiempo de ejecución2 horas 12 minutos
- Color
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the Japanese language plot outline for Fiebre de amor y locura (1991)?
Responda