CALIFICACIÓN DE IMDb
6.9/10
8.5 k
TU CALIFICACIÓN
Un detective de homicidios judío investiga lo que parece un simple caso de asesinato pero resulta estar conectado con un grupo sionista.Un detective de homicidios judío investiga lo que parece un simple caso de asesinato pero resulta estar conectado con un grupo sionista.Un detective de homicidios judío investiga lo que parece un simple caso de asesinato pero resulta estar conectado con un grupo sionista.
- Premios
- 3 premios ganados y 6 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe film began as an adaptation of David Mamet's friend William J. Caunitz's 1986 novel "Suspects". However, the more Mamet wrote, the more his story diverged from the source material until, with Caunitz's blessing, Mamet left the source book behind entirely, until ultimately the script became an original screenplay.
- ErroresWhen Detective Gold discovers the photo behind the picture, in the picture is a Hebrew sign referring to a road being built by the Labor Federation's (haHistadrut) Solel Boneh division. In the sign it's misspelled "Vistadrut - Solel Bono".
- Citas
Tim Sullivan: Bob, I'm gonna tell you what the old whore said, and this is the truest thing I know: "When you start cumming with the customers, it's time to quit."
Opinión destacada
Homicide detectives Bobby Gold (Joe Mantegna) and Tim Sullivan (William H. Macy) were taken off the case of Robert Randolph in favor of the FBI. The FBI fumbles the arrest. With mounting racial resentment, the mayor orders the cops to take him alive. Gold stumbles onto a murder of an old Jewish grandmother who ran a store in a black neighborhood. The rumor is that she kept a fortune in the basement. The Jewish family uses their political influence to get Gold as the investigator. Gold is frustrated at losing the Randolph case. He's also not a proud Jew and dismisses this case which would test his Jewish ethnicity.
It's David Mamet writing and directing. The dialogue has his mannered style. It's hard-boiled. The visual style is stark. Some of it is off-putting. He's hitting the Jew card very hard right from the start. It's unnecessary. The central concept is intriguing. However, little things keep annoying me. Gold's gun gets taken and fired by a prisoner but there is no investigation afterwards. It shouldn't be up to Gold. There is supposedly a gunman across the way but they don't close the curtains. There are little problems all the way to the end. The most problematic is that Gold's switch feels too abrupt. In fact, I figured he's lying to them to pump for information. In general, the movie doesn't feel natural. There is an intriguing idea but I can't completely buy it.
It's David Mamet writing and directing. The dialogue has his mannered style. It's hard-boiled. The visual style is stark. Some of it is off-putting. He's hitting the Jew card very hard right from the start. It's unnecessary. The central concept is intriguing. However, little things keep annoying me. Gold's gun gets taken and fired by a prisoner but there is no investigation afterwards. It shouldn't be up to Gold. There is supposedly a gunman across the way but they don't close the curtains. There are little problems all the way to the end. The most problematic is that Gold's switch feels too abrupt. In fact, I figured he's lying to them to pump for information. In general, the movie doesn't feel natural. There is an intriguing idea but I can't completely buy it.
- SnoopyStyle
- 4 jul 2016
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 2,971,661
- Fin de semana de estreno en EE. UU. y Canadá
- USD 43,650
- 14 oct 1991
- Total a nivel mundial
- USD 2,971,661
- Tiempo de ejecución1 hora 42 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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