Una mujer infiel se enfrenta al zombi de su difunto amante. Fuerzas demoniacas lo persiguen tras su fuga del inframundo sadomasoquista.Una mujer infiel se enfrenta al zombi de su difunto amante. Fuerzas demoniacas lo persiguen tras su fuga del inframundo sadomasoquista.Una mujer infiel se enfrenta al zombi de su difunto amante. Fuerzas demoniacas lo persiguen tras su fuga del inframundo sadomasoquista.
- Premios
- 2 premios ganados y 6 nominaciones en total
Anthony Allen
- 1st Victim
- (as Antony Allen)
Argumento
¿Sabías que…?
- TriviaDuring an interview Doug Bradley described hell as a prison; the Cenobites are the prison guards, Pinhead is the prison warden, the puzzle box is the key to the prison cell, and the demons are the escaped inmates.
- Errores(at around 1h 4 mins) When the Engineer chases Kirsty, the trolley and crew pushing it are visible.
- Citas
Kirsty Cotton: [Kirsty, in tears] Who are you?
Lead Cenobite: Explorers, in the further regions of experience. Demons to some, angels to others.
- Versiones alternativasThe UK cinema version was uncut though the 1988 New World Pictures and 1991 VCI video releases were cut by 4 seconds and removed shots of Julia's first victim pleading after the initial hammer blow and a shot of his dead bloodied face. The cut was waived for the 1998 issue.
- ConexionesEdited into Hellraiser II, puerta al infierno II (1988)
Opinión destacada
Adapted by Clive Barker from his own story "The Hellbound Heart" this has long been a favorite among horror-film devotees. Clive Barker is an outstanding writer. In terms of literary style light years ahead of Stephen King. His awesomely unhinged imagination is given free rein in this tale of the darker side of the human psyche.
Frank Cotton (Sean Chapman) is as immoral and perverted a scumbag as you could hope to find in the English speaking world. Ever alert to the potential for some new thrill (sexual or otherwise) Frank comes by a small carved wooden cube that just happens to be (in the right hands) a gateway to Hell. Not your normal run of the mill pit of hot sulphur fumes presided over by a horned Lucifer wielding his time-honored pitchfork, but a most unpleasant parallel dimension, home of the wickedly inventive Pinhead and his cenobite cohorts. As the series worked its way onwards, Pinhead (Bradley) became a retro cult hero much like Freddy Kreuger and was given increased screen-time!
Frank ends up paying the ultimate price in his search for new pleasures and to his everlasting discomfort, inevitably discovers the real meaning of the film's tag-line "He'll tear your soul apart." This leaves Frank's ex well and truly home-alone and she takes up with his wimpy brother Larry, crawlingly played by Andrew Robinson.
Things might have worked out for Julia (Higgins) and daughter Kirsty (Ashley Laurence) had not Larry cut his hand badly and the blood run beneath the floorboards where Frank's decimated but undead corpse responds dramatically well to the corpuscled cocktail! Frank's gory resurrection is actually one of the film's highlights, aided and abetted as it is by a superb musical score from Christopher Young!
Frank of course is a little miffed over Julia's dalliance with his brother and persuades her to bring him an assembly line of fresh meat to ensure his complexion is brought up to scratch. The demise of the first victim especially is quite shocking horror and on its own would have earned the film its "R" certificate.
Without giving anything else away, it is left to daughter Kirsty to combat both Frank, her socially distasteful step-mother and Pinhead. It is the ultimate learning curve you might say. One hell of a lot goes wrong before it starts getting any better. Frank's second whirl on the block is distinctly gruesome. Kirsty who under normal circumstances would be left a gibbering idiot, survives to take on the sequel and a further appearance by her awesomely repulsive stepmother!
You want horror? you want originality? you like blood on tap? you need HELLRAISER!
For all the above though, Barker's CANDYMAN was still better!
Frank Cotton (Sean Chapman) is as immoral and perverted a scumbag as you could hope to find in the English speaking world. Ever alert to the potential for some new thrill (sexual or otherwise) Frank comes by a small carved wooden cube that just happens to be (in the right hands) a gateway to Hell. Not your normal run of the mill pit of hot sulphur fumes presided over by a horned Lucifer wielding his time-honored pitchfork, but a most unpleasant parallel dimension, home of the wickedly inventive Pinhead and his cenobite cohorts. As the series worked its way onwards, Pinhead (Bradley) became a retro cult hero much like Freddy Kreuger and was given increased screen-time!
Frank ends up paying the ultimate price in his search for new pleasures and to his everlasting discomfort, inevitably discovers the real meaning of the film's tag-line "He'll tear your soul apart." This leaves Frank's ex well and truly home-alone and she takes up with his wimpy brother Larry, crawlingly played by Andrew Robinson.
Things might have worked out for Julia (Higgins) and daughter Kirsty (Ashley Laurence) had not Larry cut his hand badly and the blood run beneath the floorboards where Frank's decimated but undead corpse responds dramatically well to the corpuscled cocktail! Frank's gory resurrection is actually one of the film's highlights, aided and abetted as it is by a superb musical score from Christopher Young!
Frank of course is a little miffed over Julia's dalliance with his brother and persuades her to bring him an assembly line of fresh meat to ensure his complexion is brought up to scratch. The demise of the first victim especially is quite shocking horror and on its own would have earned the film its "R" certificate.
Without giving anything else away, it is left to daughter Kirsty to combat both Frank, her socially distasteful step-mother and Pinhead. It is the ultimate learning curve you might say. One hell of a lot goes wrong before it starts getting any better. Frank's second whirl on the block is distinctly gruesome. Kirsty who under normal circumstances would be left a gibbering idiot, survives to take on the sequel and a further appearance by her awesomely repulsive stepmother!
You want horror? you want originality? you like blood on tap? you need HELLRAISER!
For all the above though, Barker's CANDYMAN was still better!
- uds3
- 20 mar 2002
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Hellraiser: el amo del infierno
- Locaciones de filmación
- 187 Dollis Hill Lane, Dollis Hill, Brent, Londres, Inglaterra, Reino Unido(55 Lodovico Street)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- GBP 1,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 14,564,027
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,453,232
- 20 sep 1987
- Total a nivel mundial
- USD 14,579,541
- Tiempo de ejecución1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the streaming release date of Puerta al infierno (1987) in Spain?
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