Le cri du hibou

1987
1h 42min

CALIFICACIÓN DE IMDb

TU CALIFICACIÓN

Mathilda May and Christophe Malavoy in Le cri du hibou (1987)

Agrega una trama en tu idiomaAfter separation from his wife Robert moves to Vichy where he observes beautiful Juliette. Her fiance Patrick becomes jealous and attacks Robert. When Patrick disappears Robert is suspected ... Leer todoAfter separation from his wife Robert moves to Vichy where he observes beautiful Juliette. Her fiance Patrick becomes jealous and attacks Robert. When Patrick disappears Robert is suspected to have killed him.After separation from his wife Robert moves to Vichy where he observes beautiful Juliette. Her fiance Patrick becomes jealous and attacks Robert. When Patrick disappears Robert is suspected to have killed him.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.3/10

1.1 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Premios
- 1 premio ganado y 1 nominación en total

Fotos19

+ 13

Más como esto

6.8

Masques

7.6

Que la bête meure

6.6

En El Corazón De La Mentira

6.9

7.3

6.4

7.2

7.2

7.1

6.7

Merci pour le chocolat

6.2

Una dama para dos

5.1

Isabelle Eberhardt

Argumento

Editar

¿Sabías que…?

Editar

Trivia
One of two adaptations of Patricia Highsmith's novel "The Cry of the Owl" that was released the same year, the other adaptation is Der Schrei der Eule (1987).

Conexiones
Version of Der Schrei der Eule (1987)

Bandas sonoras
Il Faudra Bien
Music by Dominique Zardi
Lyrics by Dominique Zardi
Performed by Dominique Zardi

Opiniones de usuarios11

Opinión

Opinión destacada

6/10

Medium-grade Chabrol

"Cry Of The Owl" is one of the most obscure mid-1980s Claude Chabrol films, and frankly, not among his best (I prefer his "Masques" from the following year). It is very low-key, and doesn't ignite - to the extent that it ever does - until it's too late. Mathilda May is radiant and gives a touching perforance, but it is a little disconcerting that this story is based on a book written by a woman (the famous Patricia Highsmith), considering the behavior and, especially, the fate of both main female characters. Then again, you could say that the men don't fare much better, either. **1/2 out of 4.