Tango y Cash

Título original: Tango & Cash

1989
C
1h 44min

CALIFICACIÓN DE IMDb

6.4/10

116 k

TU CALIFICACIÓN

POPULARIDAD

4,102

829

Buddy Cop Action Comedy Crime Thriller

Dos agentes de policía ponen sus diferencias a un lado para luchar contra un jefe criminal que los ha incriminado.Dos agentes de policía ponen sus diferencias a un lado para luchar contra un jefe criminal que los ha incriminado.Dos agentes de policía ponen sus diferencias a un lado para luchar contra un jefe criminal que los ha incriminado.

Dirección
- Andrey Konchalovskiy
- Albert Magnoli
Guionista
- Randy Feldman
Elenco

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.4/10

116 k

TU CALIFICACIÓN

POPULARIDAD

4,102

829

Dirección
- Andrey Konchalovskiy
- Albert Magnoli
Guionista
- Randy Feldman
Elenco

Ver la información de producción en IMDbPro

Premios
- 3 nominaciones en total

Lopez
(as Mark Alaimo)

Philip Tan

Gunman
(as Phillip Tan)
…

Michael J. Pollard

Owen

Robert Z'Dar

Face

Lewis Arquette

Wyler

Edward Bunker

Capt. Holmes
(as Eddie Bunker)

Leslie Morris

Hendricks

Roy Brocksmith

Fed. Agent Davis

Susan Krebs

Prosecutor

David Byrd

Judge

Richard Fancy

Nolan

Jerry Martinez

Santos

Dirección
- Andrey Konchalovskiy
- Albert Magnoli
Guionista
- Randy Feldman
Todo el elenco y el equipo
Producción, taquilla y más en IMDbPro

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Argumento

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Trivia
When Brion James was originally hired to play Requin, it was a very small role with only two lines. In an effort to give the character something that would make him stand out, James decided to speak in a horrible "cockney" accent. Sylvester Stallone loved it, and re-wrote the script to give Requin a much bigger role. The same thing happened with Face, played by Robert Z'Dar, who was originally not meant to appear after the opening scene but Sylvester Stallone and Andrey Konchalovskiy took a liking to Z'Dar and thought his appearance was so striking he deserved a larger role in the film.

Errores
At the beginning of the movie when the truck is bearing down on Tango and he fires at the truck, the windshield "spiderwebs", as it should, since it would be safety glass. However, when the two men fly through the windshield after the truck is stopped, there are no bullet holes in it and it is clearly a plate glass windshield (due to how it shatters).

Citas
Ray Tango: Rambo is a pussy.

Versiones alternativas
The film's distributor actually self-censored the British theatrical version before submitting it to the BBFC. In addition to the footage the BBFC demanded cut, the UK theatrical release also tones down the electrocution of a villain, edited footage of visible bloodletting during the finale, omits some footage of Lopez being riddled with bullets, another head-butt, a throat chop, a villain pushing his fingers into Cash's blood wound, and Cash putting a grenade down a villain's trousers. All footage was reinstated for video.

Conexiones
Featured in Siskel & Ebert & the Movies: Always/Music Box/Born on the Fourth of July/Tango and Cash/Camille Claudel (1989)

Bandas sonoras
Best Of What I Got
Performed by Bad English
Courtesy of CBS Records, Music Licensing Department
Produced by Richie Zito
Written by John Waite, Jonathan Cain and Neal Schon

Opiniones de usuarios205

Opinión

Opinión destacada

Although a poor man's Lethal weapon, this is a lot better than you might think

Okay, so this isn't the greatest film ever made. In fact, it isn't even remotely the best buddy-buddy flick ever made. But surprisingly enough, this is actually quite a winner, and succeeds far more in being a parody of the Lethal-Weapon style films than say... Loaded Weapon does. This is for several reasons.

Firstly, Stallone is the star of the show here, turning in a self-mocking parody of his own screen persona. He is flash and indestructable, yet the film acknowledges and exploits this to comedic ends. Secondly, Palance is excellent as a sneering and menacing bad guy, plotting the two cops downfall. He deserved more screen time than he actually got, and actually did a good job of being the obligatory stereotypical bad-guy.

However, the best thing of all about this film is the snappy dialogue. There is so much good banter between the two-cops that no matter how bizarre the film's scenario's get, the dialogue rescues it.

The first time I saw this, I enjoyed it and was only really let down by the ending, which feels hollow and unsatisfying in comparison to the first two reels of the film. However, this nagging problem alone, I have no hesitation in recommending this to any fan of the action-genre.

Overall: 6 1/2 out of 10.

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