Martin Sheen is the hero and Sam Neill is the villain, the cowboy and the cossack. Who will win this spying game in East Berlin behind the wall of the Cold War, all filmed in Lille and Strasbourg apart from some scenes in Paris? The story is very contrived and improbable, as if the whole idea of the film was to make it as enigmatic and mysterious as possible, as no one could possible get the hang of all these constructed technical details of early computer technique, while at least there is a woman who makes this muddled hide-and-seek story human, by adding some romanticism in spite of all this Cold War dreariness. Sam Neill actually wins the prize as the better actor, and his character is more interesting and human, while Martin Sheen is just efficient. Derek Jacobi plays third fiddle and is lost in the general confusion of occupation of embassies, fires in the cultural centre and total rebellion and uproar in a mental hospital, which is the most impressive scene of the film. Brigitte Fossey is lovely and delicate and does what she has to do, and she loves them both, and both deserve it.
