El asesino etrusco

Título original: Assassinio al cimitero etrusco

1982
1h 38min

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Agrega una trama en tu idiomaJoan has nightmares of Etruscan sacrifices. She knows very well the Etruscan language and her husband Arthur is an archeologist studying Etruscan tombs. In a nightmare she foresees her husba... Leer todoJoan has nightmares of Etruscan sacrifices. She knows very well the Etruscan language and her husband Arthur is an archeologist studying Etruscan tombs. In a nightmare she foresees her husband's death. And Arthur is then killed with the same way the Etruscans killed their sacrifi... Leer todoJoan has nightmares of Etruscan sacrifices. She knows very well the Etruscan language and her husband Arthur is an archeologist studying Etruscan tombs. In a nightmare she foresees her husband's death. And Arthur is then killed with the same way the Etruscans killed their sacrifice victims.

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4.4/10

715

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Trivia
Final film of Wandisa Guida.

Errores
When Joan runs through the tunnel into some spider webs, she waves her hands around in them like she's stuck, but they weren't really near enough to have held her back.

Citas
The 'aulos' old Player: [stops playing ancient flute, speaks to Joan] Welcome back, Granter of Gifts.

Créditos curiosos
Final credits roll over a shot in which the World Trade Center towers over.

Conexiones
References La ciudad de los muertos vivientes (1980)

Opiniones de usuarios20

Opinión

Opinión destacada

3/10

Boring

Boring and disappoiting work from shlockmeister Sergio Martino. Nothing much happens on the screen... Giallo specialist writer Ernesto GASTALDI was really tired this time. Elvire Audray is pretty but a terrible actress...Nice to see former sexy star of the italian adventure/action movies of the 60's Wandisa GUIDA but unfortunately she isn't doing much.

Cinematography is standard TV-like. You simply don't care about the plot, the actors but you will hate the awful muzak.

The fact Sergio Martino gave up on the anamorphic 2:35 format is, I think, a turning point in his career. He began with this "thing" (I hardly call that a movie)a long serie of disappointing and less radical movies especially aimed at a more US and european market (2019 AFTER THE FALL OF N.Y; ATOMIC CYBORG; AMERICAN RICKSHAW among others) where his visual style (weird camera angles, fast editing...) totally disappeared.

You'd rather avoid this easily forgettable ASSASSINIO AL CIMITERO ETRUSCO and prefer TUTTI I COLORI DEL BUIO or LA CODA DELLO SCORPIONE, his best works to me.