Un adolescente descubre que su nuevo vecino es un vampiro, y pide ayuda a un actor que trabaja en un programa de horror para lidiar con él.Un adolescente descubre que su nuevo vecino es un vampiro, y pide ayuda a un actor que trabaja en un programa de horror para lidiar con él.Un adolescente descubre que su nuevo vecino es un vampiro, y pide ayuda a un actor que trabaja en un programa de horror para lidiar con él.
- Dirección
- Guionista
- Elenco
- Premios
- 5 premios ganados y 5 nominaciones en total
Art Evans
- Detective Lennox
- (as Art J. Evans)
Prince Hughes
- Bouncer #3
- (as Prince A. Hughes)
Christopher Lee
- Dracula
- (material de archivo)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaBecause of his theatrical roots and the long hours spent in the makeup chair, Chris Sarandon helped apply his own vampire makeup and often worked on the finger extensions while the makeup artists were putting appliances on his face.
- ErroresIn the attack scene in Charley's bedroom, Jerry Dandrige has his hand around Charley's neck and Charley drives a pencil into the top of his hand. In the next scene, Jerry pulls his hand away and looks at the pencil, and it is sticking more than halfway through his hand. If the pencil has been shoved that far down, it would have pierced Charley halfway through his neck.
- Citas
[Jerry welcomes Charley and Peter Vincent to his home]
Jerry Dandrige: Welcome to... Fright... Night! For real.
- Créditos curiososJust as the screen cuts to black at the end, Evil Ed can be heard saying, "You're so cool, Brewster!"
- Versiones alternativasThe Swedish version (cinema and video) misses the following: The transformation scene with Ed was removed (1m 50sec), and the scene where Dandrige's assistant melts was shortened by 16 sec.
- ConexionesEdited into La hora del espanto 2 (1988)
- Bandas sonorasFright Night
Written by Joe Lamont
Produced by Seth Justman
Performed by The J. Geils Band
Courtesy of EMI America Records, a division of Capitol Records, Inc.
Opinión destacada
Before I first watched Fright Night, I admit I was unsure about what to think about it. All I knew about it was from what I had been told from my Dad (though his likes/dislikes are generally on par with mine, they sometimes border on plain stupid). But when I saw it to the end, I was almost totally converted.
Although the beginning is a bit cheesy and reminiscent of stereotypical horror B-movies, it soon becomes clear that this is part of what makes Fright Night so original. All the typical horror film genres are there: horror, romance, comedy (well maybe comedy isn't a typical horror element); but what makes this horror flick stand out a mile-and-a-half from the rest is that it's a very offbeat tale. It's creepily cheesy but gets away with it because it's atmosphere is so good.
All this and I haven't mentioned the acting or special effects yet. Sarandon seems to give such an effortless performance as the vampire and as a result is almost perfect. I had thought of what a modern day vampire would be like before I saw Fright Night; but Jerry Dandridge just blew all these ideas away and has to be the coolest (and I don't often use that word) and sexiest vampire ever, and is one of my favourite movie villains. Roddy McDowall can't hold a candle to Sarandon but is still very good, and Stephen Geoffreys is one of the funniest and memorable movie characters ever to grace a film screen too.
The special effects are good for 1985 and unlike where in modern films the SFX are the main point in the movie, here they add to the already present chilling atmosphere. And although on the one hand, Fright Night is quite dated, it also captures the atmosphere and the essence of the 80s. The soundtrack is excellent for the film, but paradoxically not very memorable (apart from one or two good songs).
[I wish I'd been born before 1981 (maybe 1961) so that I could have lived in the late-70s and 80s, and would have memories of the best music from that time, and not the boybands/Beatles clones/dance ditties (not decent tunes mind) we have now.]
All in all an (almost) perfect film: watch it and you'll (most likely) enjoy it and watch it again and again.
Although the beginning is a bit cheesy and reminiscent of stereotypical horror B-movies, it soon becomes clear that this is part of what makes Fright Night so original. All the typical horror film genres are there: horror, romance, comedy (well maybe comedy isn't a typical horror element); but what makes this horror flick stand out a mile-and-a-half from the rest is that it's a very offbeat tale. It's creepily cheesy but gets away with it because it's atmosphere is so good.
All this and I haven't mentioned the acting or special effects yet. Sarandon seems to give such an effortless performance as the vampire and as a result is almost perfect. I had thought of what a modern day vampire would be like before I saw Fright Night; but Jerry Dandridge just blew all these ideas away and has to be the coolest (and I don't often use that word) and sexiest vampire ever, and is one of my favourite movie villains. Roddy McDowall can't hold a candle to Sarandon but is still very good, and Stephen Geoffreys is one of the funniest and memorable movie characters ever to grace a film screen too.
The special effects are good for 1985 and unlike where in modern films the SFX are the main point in the movie, here they add to the already present chilling atmosphere. And although on the one hand, Fright Night is quite dated, it also captures the atmosphere and the essence of the 80s. The soundtrack is excellent for the film, but paradoxically not very memorable (apart from one or two good songs).
[I wish I'd been born before 1981 (maybe 1961) so that I could have lived in the late-70s and 80s, and would have memories of the best music from that time, and not the boybands/Beatles clones/dance ditties (not decent tunes mind) we have now.]
All in all an (almost) perfect film: watch it and you'll (most likely) enjoy it and watch it again and again.
- pjspeight_2k
- 2 mar 2000
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Detalles
Taquilla
- Presupuesto
- USD 9,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 24,922,237
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,118,543
- 4 ago 1985
- Total a nivel mundial
- USD 24,923,585
- Tiempo de ejecución1 hora 46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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