Racing with the Moon

1984
PG
1h 48min

CALIFICACIÓN DE IMDb

6.6/10

5.4 k

TU CALIFICACIÓN

Reproducir trailer2:04

1 video

33 fotos

Comedy Drama Romance

Agrega una trama en tu idiomaIn 1942 California, two young men await induction into the U.S. Marines and say goodbye to their girlfriends.In 1942 California, two young men await induction into the U.S. Marines and say goodbye to their girlfriends.In 1942 California, two young men await induction into the U.S. Marines and say goodbye to their girlfriends.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.6/10

5.4 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Premios
- 1 premio ganado en total

Videos1

Trailer 2:04

Racing with the Moon

Fotos33

+ 26

Más como esto

5.3

The Boy in Blue

7.2

Alas de libertad

5.0

Tempo di uccidere

6.6

El Cotton Club. Centro de la mafia

6.0

5.7

5.6

6.4

5.9

5.1

6.2

Tess y su guardaespaldas

5.9

Luna de miel para tres

Argumento

Editar

¿Sabías que…?

Editar

Trivia
The shots in which Sean Penn and Nicolas Cage standing on the railroad tracks with the train coming toward them were done with a large mirror positioned on the track, the camera shooting into it rather than the oncoming locomotive, to give the illusion that the train is coming toward them when the train is actually on a set of tracks nearby.

Errores
While sitting at a table talking with Henry, we see Nicky (Nicolas Cage) light a cigarette by striking a match on the back of a matchbook, however in 1942 matchbooks were front-strike until a new regulation in 1973 deemed front-strike too dangerous.

Citas
Henry 'Hopper' Nash/Lou: Tyrone Power never said fuck 'em.

Conexiones
Featured in The Making of Racing with the Moon (2004)

Bandas sonoras
Beyond The Blue Horizon
by Richard A. Whiting, W. Franke Harling and Leo Robin

Opiniones de usuarios32

Opinión destacada

8/10

Touching, well-observed slice-of-life

Unlike most Hollywood movies that must be pigeonholed into categories--comedy, drama, romance--this movie dared to be all of these. And it dared to be low-key, without large, manufactured tragedies or plot hooks. Rather, it had the elegiac mood and idiosyncratic details of a fine short story, with its characters neither good nor bad but human, their lives honestly and touchingly observed by a sensitive screenwriter and director.