En una sociedad de futuro totalitario, un hombre, cuyo trabajo diario es reescribir la historia, trata de sublevarse enamorándose.En una sociedad de futuro totalitario, un hombre, cuyo trabajo diario es reescribir la historia, trata de sublevarse enamorándose.En una sociedad de futuro totalitario, un hombre, cuyo trabajo diario es reescribir la historia, trata de sublevarse enamorándose.
- Nominada a1 premio BAFTA
- 6 premios ganados y 3 nominaciones en total
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- TriviaIn poor health during most of the filming, Richard Burton had great difficulty remembering his lines and sometimes had to film a scene dozens of times before he could get it right. The scene in O'Brien's apartment where he is talking to Winston about Goldstein's book took a record of forty-one takes for Burton to say his speech without fumbling his lines.
- ErroresWinston reads a newspaper article titled "INSOC IN RELATION TO CHESS BROTHER WINS." The party name should be spelled "INGSOC."
- Citas
Winston Smith: [reads from Goldstein's book] "In accordance to the principles of Doublethink, it does not matter if the war is not real, or when it is, that victory is not possible. The war is not meant to be won. It is meant to be continuous. The essential act of modern warfare is the destruction of the produce of human labor. A hierarchical society is only possible on the basis of poverty and ignorance. In principle, the war effort is always planned to keep society on the brink of starvation. The war is waged by the ruling group against its own subjects. And its object is not victory over Eurasia or Eastasia, but to keep the very structure of society intact." Julia? Are you awake? There is truth, and there is untruth. To be in a minority of one doesn't make you mad.
- Créditos curiososThe movie begins with the title, "Who controls the past controls the future. Who controls the present controls the past."
- Versiones alternativasFrom director of photography Roger Deakins: "Be careful which '1984' you watch as some do not have the 'Bleach Bypass' effect built in. As the effect was done on all the prints, the IP and subsequent INs do not reflect the intended look of the film."
- ConexionesFeatured in Eurythmics: Sexcrime (Nineteen Eighty-Four) (1984)
- Bandas sonorasOceania,'Tis For Thee
Music by Dominic Muldowney
Lyrics by Jonathan Gems
Sung by the London Voices, directed by Terry Edwards
Soprano soloist: Sally Mates
Contralto soloist: Linda Hirst
Conducted by Dominic Muldowney
But I'm confused by the number of people who have commented that claim to be put off by "the gratuitous nudity" by the two characters of Winston and Julia. Given the fact that everything in this society--waking up, food, habits, desires, work, workers, even the underwear and overalls--is so uniform, has it occurred to viewers that being nude was the only link to identity that these characters had? Everything in their world depends, thrives on sameness. Without clothes, everyone is unique. The two lovers were already in dire conditions by committing the sin of feeling for another human being, let alone carnally but in the heart. And they had to deceive and pretend and go through the motions of the dutiful cogs in the Big Brother wheel. But their only shared peace and comfort was their sacred time alone, and in love. They had finally found their own identities through loving each other. Their nudity was merely symbolic of that. In that sense, their union and expressions of that union only becomes more fragile, beautiful and honest, in such a heartless, cold, indifferent world.
May that be truly said of us, and all of us...
OK, that out of the way...one of the most gritty, realistic, honest translations ever to grace the screen. Wouldn't have changed a thing. Highly, highly recommended, along with the original 1955 version of "Animal Farm". Perfect double-feature for a somber, thoughtful evening's viewing.
- eadaoin7
- 8 mar 2004
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Detalles
- Fecha de lanzamiento
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- También se conoce como
- Neunzehnhundertvierundachtzig
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Taquilla
- Presupuesto
- GBP 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 8,430,492
- Fin de semana de estreno en EE. UU. y Canadá
- USD 29,897
- 16 dic 1984
- Total a nivel mundial
- USD 8,431,544