At Long Last Love

1975
G
1h 58min

CALIFICACIÓN DE IMDb

5.3/10

1.5 k

TU CALIFICACIÓN

Burt Reynolds and Cybill Shepherd in At Long Last Love (1975)

Four socialite old friends unexpectedly clash, and switch partners during a party and attempt to make each other jealous.

Reproducir trailer3:26

1 video

34 fotos

Jukebox Musical Romantic Comedy Comedy Musical Romance

Agrega una trama en tu idiomaFour socialite old friends unexpectedly clash, and switch partners during a party and attempt to make each other jealous.Four socialite old friends unexpectedly clash, and switch partners during a party and attempt to make each other jealous.Four socialite old friends unexpectedly clash, and switch partners during a party and attempt to make each other jealous.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

5.3/10

1.5 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Trivia
Peter Bogdanovich has stated that Woody Allen watched the movie three or four times during its theatrical run, and later credited the film for inspiring Todos dicen que te amo (1996).

Citas
Elizabeth: Well, what do they call you, big boy?
Rodney James: Rodney James.
Elizabeth: "Rod".
Rodney James: That, I'm afraid, is the diminutive.
Elizabeth: Well, I'll bet you ain't.

Créditos curiosos
The Camera begins on a silver music box on which rest bas-reliefs of the 4 principals, they dance to a song and then the camera pans around Kitty Kelly's sumptuous black-and white art deco penthouse.

Versiones alternativas
TV version was re-edited and reworked by director Peter Bogdanovich and runs three minutes shorter than the theatrical release.

Conexiones
Featured in Musical Hell: At Long Last Love (2013)

Bandas sonoras
Overture
(uncredited)
Words and Music by Cole Porter
Performed by the 20th Century-Fox Studio Orchestra

Opiniones de usuarios57

Opinión

Opinión destacada

4/10

At Long Last It's Over

Peter Bogdanovitch is obviously in love stars and being among them - the starrier, the better.After a while, some of his films like this one seem to feel like "us" (the stars) vs "them", (the unanointed audience). He seems to have assembled a sure-fire formula for success - the glitziest supported by a Cole Porter score. The problem, of course, is that the singers can't sing or dance at all. What in the world was in the mind of the director. He was star-struck - that much is completely obvious - but it ended up that the stars were stuck. So was the audience.

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