Agrega una trama en tu idiomaA small-time homicidal maniac kidnaps a young heiress, prompting a cop to pursue him before he can kill the girl once the hefty ransom is paid.A small-time homicidal maniac kidnaps a young heiress, prompting a cop to pursue him before he can kill the girl once the hefty ransom is paid.A small-time homicidal maniac kidnaps a young heiress, prompting a cop to pursue him before he can kill the girl once the hefty ransom is paid.
- Dirección
- Guionista
- Elenco
Joris Muzio
- Giulio's Lawyer
- (as Muzio Joris)
Annie Carol Edel
- Marta's friend
- (as Annie Edel)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaDirector Umberto Lenzi stated in an interview that his first meeting with Tomas Milian for this film was really difficult because Lenzi felt Milian didn't trust him. Milian had heard rumors that Lenzi was an impulsive, hotheaded director but in the end Lenzi felt that Milian got that he was the right director for the job. This started what Lenzi called a "love-hate" relationship between the two that would continue for a total of 7 films with the actor.
- Citas
Giulio Sacchi: Poppa's got nearly all the money in the world, but I got none.
- ConexionesEdited from Milano trema: la polizia vuole giustizia (1973)
Opinión destacada
Almost Human (1974)
*** (out of 4)
Exciting crime picture has psychopath Giulio (Tomas Milian) growing more and more dangerous as he kidnaps the daughter of a rich man and holds her for ransom. A police inspector (Henry Silva) is following some murders and believes that it is the work of the kidnapper so he sets out to find him.
Umberto Lenzi's ALMOST HUMAN is an extremely entertaining mix of EuroCrime as well as something like DIRTY HARRY. The film offers up two great actors turning in great characters and this is just part of the fun. Many people have called this film dirty and nasty but I'm going to disagree because even some of the American crime pictures from this era contained more violence and blood. What this film succeeds at is telling a very good story and showing what a psychopath one can be.
Lenzi's direction certainly deserves a lot of credit and especially with the flow and style of the picture. There are some effective car chases at the start of the movie but what I liked the most was how Lenzi shows this madman slowly losing more of a grip on reality and falling into his madness. I really liked the character structure of the killer and thought it worked perfectly well against the cop who knows what he's dealing with and wants to handle it himself.
Of course, Milian and Silva are both wonderful in their roles and they bring a lot of entertainment value. Milian is a pure evil snake here and I thought he worked wonderfully as a villain that you love to hate. Silva is a lot more straight and doesn't have as flashy of a role but he too is still a lot of fun. The support cast are also quite good and help keep the film moving. Then you've got a terrific score by Ennio Morricone as well as some very good cinematography.
ALMOST HUMAN is certainly one of the better crime pictures out there. It has a nice story, some great characters and the style that you'd expect.
*** (out of 4)
Exciting crime picture has psychopath Giulio (Tomas Milian) growing more and more dangerous as he kidnaps the daughter of a rich man and holds her for ransom. A police inspector (Henry Silva) is following some murders and believes that it is the work of the kidnapper so he sets out to find him.
Umberto Lenzi's ALMOST HUMAN is an extremely entertaining mix of EuroCrime as well as something like DIRTY HARRY. The film offers up two great actors turning in great characters and this is just part of the fun. Many people have called this film dirty and nasty but I'm going to disagree because even some of the American crime pictures from this era contained more violence and blood. What this film succeeds at is telling a very good story and showing what a psychopath one can be.
Lenzi's direction certainly deserves a lot of credit and especially with the flow and style of the picture. There are some effective car chases at the start of the movie but what I liked the most was how Lenzi shows this madman slowly losing more of a grip on reality and falling into his madness. I really liked the character structure of the killer and thought it worked perfectly well against the cop who knows what he's dealing with and wants to handle it himself.
Of course, Milian and Silva are both wonderful in their roles and they bring a lot of entertainment value. Milian is a pure evil snake here and I thought he worked wonderfully as a villain that you love to hate. Silva is a lot more straight and doesn't have as flashy of a role but he too is still a lot of fun. The support cast are also quite good and help keep the film moving. Then you've got a terrific score by Ennio Morricone as well as some very good cinematography.
ALMOST HUMAN is certainly one of the better crime pictures out there. It has a nice story, some great characters and the style that you'd expect.
- Michael_Elliott
- 3 mar 2018
- Enlace permanente
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- How long is Almost Human?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 39 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was Milano odia: la polizia non può sparare (1974) officially released in India in English?
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