Un homme est mort

1972
PG
1h 44min

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Roy Scheider and Jean-Louis Trintignant in Un homme est mort (1972)

Agrega una trama en tu idiomaAfter fulfilling a contract killing in Los Angeles, a French hit man becomes the target of a hit himself and tries to flee back to Paris.After fulfilling a contract killing in Los Angeles, a French hit man becomes the target of a hit himself and tries to flee back to Paris.After fulfilling a contract killing in Los Angeles, a French hit man becomes the target of a hit himself and tries to flee back to Paris.

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6.5/10

1.5 k

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Trivia
According to Jackie Earle Haley, when Jean-Louis Trintignant slaps him in the face, Trintignant really slapped him hard. Two takes were filmed and Trintignant slapped for real both times.

Errores
When the young cab driver is killed at home, he first receives the shot and then waits one second to be thrown on the floor, as if he hesitated to do it.

Versiones alternativas
An "X" Rated addition used for European release contains 10 additional minutes, most notably in the scene where Jean Louis Trintignant meets Ann Margret at the downtown LA nightclub. The European version contains full frontal nudity throughout the scene. This "X" rated version screened in Los Angeles at the American Cinematheque in 1998 and was mistakenly screened as the "PG" version on Showtime Networks in 2001.

Conexiones
Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 2 (1996)

Bandas sonoras
The Outside Man
Music by Michel Legrand
Lyrics by Charles Burr
Sung by Joe Morton

Opiniones de usuarios20

Opinión destacada

6/10

To call this one 'strange' would be an understatement...

Bizarre mixture of elements: character study, romance, crime melodrama and action flick. Terrifically filmed on vivid Los Angeles locales by a French director and crew, story follows foreign hit-man on assignment in L.A. being tracked down and targeted for death. Some of the characters here are delicious: Jean-Louis Trintigant is super-cool as the French gunman, Roy Scheider is his nemesis, Ann-Margret sad and desperate as a former flame of Trintigant's boss, Angie Dickinson as the cheating wife of a Bel Air crime czar, Georgia Engel as an innocent housewife who manages to get involved. Subtle--some may say somnambulant--thriller, less frenetic than most American pictures in the crime genre, with emphasis on character detail and emotion. Unusual and worth-watching. **1/2 from ****