Cristo se detuvo en Eboli

Título original: Cristo si è fermato a Eboli

1979
2h 30min

CALIFICACIÓN DE IMDb

7.7/10

3.3 k

TU CALIFICACIÓN

Gian Maria Volontè, Paolo Bonacelli, Alain Cuny, Lea Massari, and Irene Papas in Cristo se detuvo en Eboli (1979)

Reproducir trailer1:47

2 videos

40 fotos

Drama

Un médico fascista en Italia, es exiliado a un pueblo remoto por sus opiniones políticas.Un médico fascista en Italia, es exiliado a un pueblo remoto por sus opiniones políticas.Un médico fascista en Italia, es exiliado a un pueblo remoto por sus opiniones políticas.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

7.7/10

3.3 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Ganó 1 premio BAFTA
- 7 premios ganados y 1 nominación en total

Trivia
The title of the film and its source novel comes from an expression by the people of Gagliano who say of themselves, "Christ stopped short of here, at Eboli" which means, in effect, that they feel they have been bypassed by Christianity, by morality, by history itself-that they have somehow been excluded from the full human experience.

Errores
On the bus, the way Carlo holds the dog changes.

Citas
Luisa Levi: You'd need a woman here.
Carlo Levi: Yes, I would. But it's not easy.
Luisa Levi: Come on, don't exaggerate. Don't tell me that here even finding a cleaning lady is impossible.
Carlo Levi: Here a woman wouldn't go in the house of a single man. Just spending time together implies sleeping together.
Luisa Levi: You can't be serious.
Carlo Levi: Oh, yes I am.

Versiones alternativas
There are many versions ranging from 120 minutes to 222 minutes. The longest version available in the U.S. is 222 minutes and is available from the Criterion Collection on Blu-ray.

Conexiones
Featured in Il cineasta e il labirinto (2004)

Opiniones de usuarios14

Opinión

Opinión destacada

10/10

Christ stopped in eboli

this movie did more than any other Italian film i've seen to interest me in italy itself--the people, the land, the culture. it also opened my mind to the intelligence of the uneducated among us--i loved that guilia was so real and right-n and so full of peasant superstition that in no way interfered with her ability to "get it." i have begun to travel in italy and having seen this film i am driven to see the south and visit the carlo levi house and museum. his paintings see into the object, to me, like a quality black and white study which i find the most expressive medium. as soon as i see the faces in the beginning of this film, i am drawn in. i found the melancholy music somewhat sentimental (like the music in truffaut's films) but a necessary comfort.