Usually when a sequel is made without the inclusion of the creator of the original, is where things go downhill. Michael Crichton's film debut with Westworld (1973) was a unique sci-fi / horror film that made its viewers think about what if technology goes awry. Strangely enough, a sequel was made to that, but Crichton wasn't even involved. He wasn't even credited for any of the characters used in his original film! However for this followup, things seemed to stay intact, which is surprising. The more interesting thing about this, is how the story played out here compared to the other. The problem is, it's kind of expected, especially after seeing the trailer to this. But does that make it bad? Well,...it depends on what makes the bigger point.
Worked on by a totally different crew, the story continues from the events of Westworld (1973) as the new and improved Delos. This time Delos is being claimed as "Fail Safe" from its new head of the company Duffy (Arthur Hill). But someone is not convinced and that person is Chuck Browning (Peter Fonda) a news reporter who covered the disastrous nightmare that Delos had from the original film. Joining him is Tracy Ballard (Blythe Danner), another reporter who was looking to take point on the story Browning was given. Together they are invited by Duffy to tour the new Delos system and see all that has been changed. While being there and with Browning's suspicions, they begin digging deeper to find if the company is doing something they shouldn't.
Written by Mayo Simon and George Schenck who had worked on separate projects before this actually manage to maintain fairly good continuity with the original Westworld (1973). While Peter Fonda's character was not in the first film, he is properly introduced and given a history as to how he's connected to the past plot. Yet there are two aspects of the film that don't make a whole lot of sense. The first one being the return of the infamous gunslinger played by Yul Brynner. The reason why he appears is not clear as to why and he has no dialog, which comes off feeling more like a gimmick. The other error in writing belongs to the antagonist of the plot. It's an interesting direction to take, but the motivation doesn't exactly explain itself in detail.
It's strange how the thing that attracted people to Delos were the worlds they could visit. Wasn't it just amazing alone they could build robots? It seems like director Richard T. Heffron who mainly worked on made for TV movies didn't have a strong vision on the story's direction. There's also a subplot about the robots maybe having the possibility to develop feelings but it doesn't go beyond speculation. The example used in this story is about Harry (Stuart Margolin), a veteran worker from the original Delos who befriends an out of service robot named Clark (James M. Connor). The acting in general is acceptable. All the cast members who participate are as believable as they can be. Action is one of the things that didn't turn out okay,...it's just very lame. Nothing out of the ordinary.
As for visuals, the set design looked great. Throughout the film, it is a definite that all the props and sets used were physically there. And for some of them, credit is due as to how creative some of the futuristic things are, like boxing and chess. They even revisit the old abandoned Westworld set of Delos, which is pretty eerie. Cinematography was handled by returning cameraman Gene Polito and also Howard Schwartz. Both do a decent job keeping the look of the film similar to that of Westworld (1973). Then there's the music from returning composer Fred Karlin. What made Karlin's music memorable from the original was his use of prepared piano. That's not here but he does rely on deep pulsing synthesizers and has a main theme for the sequel which is nice. It's a fair match.
This sequel misses the mark when it comes to making the antagonist one that makes sense. The use of Yul Brynner is wasted and the action is rather dull compared to the first. However, the actors still perform well, the set design is still appreciated along good continuity and appropriate music.
