CALIFICACIÓN DE IMDb
8.1/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaIt explores the aftermath of The Battle of Borodino.It explores the aftermath of The Battle of Borodino.It explores the aftermath of The Battle of Borodino.
Fotos
Sergei Yermilov
- Petya Rostov
- (as S. Yermilov)
Mikhail Khrabrov
- Platon Karatayev
- (as M. Khrabrov)
Jean-Claude Balard
- Rambal
- (as Jean-Claude Ballard)
Georgiy Millyar
- Morel
- (as Yu. Millar)
Boris Molchanov
- Davout
- (as B. Molchanov)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- Versiones alternativasThere are three different versions: The American release, a 360 minute film in two parts (dubbed in English) (see also War and Peace (1968/I)). The Russian release, a series of four films totaling 403 minutes (see also Vojna i mir I: Andrei Bolkonsky (1965), Vojna i mir II: Natasha Rostova (1966) and Vojna i mir III: 1812 god (1967). Most reviews (including Leonard Maltin's) list this film's running time as 507 minutes, suggesting an unreleased Director's Cut.
- ConexionesEdited into La guerra y la paz (1965)
Opinión destacada
War and Peace Part IV, Pierre Bezukhov, might as well be called the "Fire and Ice Edition" given the prominence of the depiction of the great Fire of Moscow as well as some great (but unfortunately brief) shots of "General Winter." Like Part III, the spectacle is grand and sweeping: According to The Criterion Collection, the fire scene had to be planned for 10 months and shot with helicopters and six ground-level cameras. If no one got killed making that scene, that's an achievement.
Aside from the sheer elaborateness of the production, director Sergei Bondarchuk once again justifies this with artistic vision: Even the shots of Napoleon looking over his conquered Moscow (pre-fire) are impressive and inspiring. The shot of Napoleon riding out of Russia are dynamic but moody and convey that sense of despair and defeat. The end cinematography of the Russian landscape is great, though it's a direct callback from Part I. Andrei's dream sequences are also artistically masterful.
Part IV is short by itself while covering a lot, but it still wraps things up a satisfying note. It captures that homecoming feeling after a war; Pierre seeing the grown Natasha (with flashbacks to their memories of each other), has that "V-J Day in Times Square" kissing sailor image written all over it. The full seven-hour experience can leave any viewer feeling exhausted but mightily impressed.
Aside from the sheer elaborateness of the production, director Sergei Bondarchuk once again justifies this with artistic vision: Even the shots of Napoleon looking over his conquered Moscow (pre-fire) are impressive and inspiring. The shot of Napoleon riding out of Russia are dynamic but moody and convey that sense of despair and defeat. The end cinematography of the Russian landscape is great, though it's a direct callback from Part I. Andrei's dream sequences are also artistically masterful.
Part IV is short by itself while covering a lot, but it still wraps things up a satisfying note. It captures that homecoming feeling after a war; Pierre seeing the grown Natasha (with flashbacks to their memories of each other), has that "V-J Day in Times Square" kissing sailor image written all over it. The full seven-hour experience can leave any viewer feeling exhausted but mightily impressed.
- gizmomogwai
- 3 jul 2019
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- La derrota de Napoleón en Rusia
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.20 : 1
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Principales brechas de datos
By what name was Fin de La guerra y la paz (1967) officially released in Canada in English?
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