Las amargas lágrimas de Petra von Kant

Título original: Die bitteren Tränen der Petra von Kant

1972
B
2h 4min

CALIFICACIÓN DE IMDb

7.5/10

12 k

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Margit Carstensen and Hanna Schygulla in Las amargas lágrimas de Petra von Kant (1972)

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Ver The Bitter Tears Of Petra Von Kant: I Don't Regret It (US)

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Psychological Drama Drama Romance

Una diseñadora de moda de éxito deja la relación sadomasoquista que mantiene con su asistente para iniciar una historia de amor con una hermosa joven.Una diseñadora de moda de éxito deja la relación sadomasoquista que mantiene con su asistente para iniciar una historia de amor con una hermosa joven.Una diseñadora de moda de éxito deja la relación sadomasoquista que mantiene con su asistente para iniciar una historia de amor con una hermosa joven.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

7.5/10

12 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Premios
- 3 premios ganados y 3 nominaciones en total

Videos1

Clip 1:10

The Bitter Tears Of Petra Von Kant: I Don't Regret It (US)

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Argumento

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Trivia
Rainer Werner Fassbinder wrote the entire screenplay for the film by hand during a single 12-hour flight from Berlin to Los Angeles.

Citas
Petra von Kant: I think people need each other, they're made that way. But they haven't learnt how to live together.

Créditos curiosos
Follows Opening Film Title: "Gewidmet dem, der hier Marlene wurde (Dedicated to the one who became Marlene here)."

Conexiones
Featured in Fassbinder in Hollywood (2002)

Bandas sonoras
The Great Pretender
Written by Buck Ram
Performed by The Platters

Opiniones de usuarios40

Opinión

Opinión destacada

7/10

German Emotions

Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.

Criterion has released the film and calls to our attention the "claustrophobic cinematography". Indeed, how can it be anything other than claustrophobic when we never leave the room? Much of the two hours takes place in a bed, with little beyond. This is quite a minimalism, and suggests the film is based on a stage play.

Fassbinder is known for his modern German interpretations of Douglas Sirk. This is one of his Sirk-inspired works. Maybe not his best, though that is all in the eye of the beholder. A second viewing may change my opinion on the matter.