El conformista

Título original: Il conformista

1970
B15
1h 53min

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7.9/10

35 k

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Jean-Louis Trintignant, Dominique Sanda, and Stefania Sandrelli in El conformista (1970)

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Drama

Un italiano con poca voluntad se convierte en un fascista que se va al extranjero para organizar el asesinato de su antiguo maestro, ahora un disidente político.Un italiano con poca voluntad se convierte en un fascista que se va al extranjero para organizar el asesinato de su antiguo maestro, ahora un disidente político.Un italiano con poca voluntad se convierte en un fascista que se va al extranjero para organizar el asesinato de su antiguo maestro, ahora un disidente político.

Dirección
- Bernardo Bertolucci
Guionistas
- Alberto Moravia
- Bernardo Bertolucci
Elenco

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

7.9/10

35 k

TU CALIFICACIÓN

Dirección
- Bernardo Bertolucci
Guionistas
- Alberto Moravia
- Bernardo Bertolucci
Elenco

Ver la información de producción en IMDbPro

Nominado a 1 premio Óscar
- 10 premios ganados y 8 nominaciones en total

Trivia
The hospital that Clerici's father is at is actually the Teatro Libera (Free Theater) at the Palazzo dei Congressi in EUR, a massive complex on the outskirts of Rome that was begun as a monument to the Fascist Government. This massive, modernist white marble complex and theater have appeared in several other films and television shows.

Errores
A radio tower appears in a flashback to Marcello's Rome boyhood in 1917.

Citas
Italo: A normal man? For me, a normal man is one who turns his head to see a beautiful woman's bottom. The point is not just to turn your head. There are five or six reasons. And he is glad to find people who are like him, his equals. That's why he likes crowded beaches, football, the bar downtown...
Marcello: At Piazza Venice.
Italo: He likes people similar to himself and does not trust those who are different. That's why a normal man is a true brother, a true citizen, a true patriot...
Marcello: A true fascist.

Versiones alternativas
The "Dance of the Blind" sequence was restored for the 1994 re-issue of the film. This had been cut for the American release. Contrary to early reports, the DVD released by Paramount does include this scene.

Conexiones
Edited into The Kid Stays in the Picture (2002)

Bandas sonoras
Chi È Più Felice Di Me?
(uncredited)
Composed by Cesare A. Bixio
Arranged by Georges Delerue

Opiniones de usuarios135

Opinión

Opinión destacada

9/10

Greatest Political Symbol?

A weak-willed Italian man (Jean-Louis Trintignant) becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher (Enzo Tarascio), now a political dissident.

The film is said to be a case study in the psychology of fascism: Marcello Clerici is a bureaucrat dehumanized by a dysfunctional upper class family and a childhood sexual trauma. Political philosopher Takis Fotopoulos calls the film "a beautiful portrait of this psychological need to conform and be 'normal' at the social level, in general, and the political level, in particular."

I loved it. I think it was very symbolic of not just fascism, but politics and humanity in general. There really is a desire to conform, and normality varies based on when and where you live. Political ideas might seem weird in one place and not another. The same with morality. Could a society exist where the removal of your friends is just a part of life? Sure. (The Mafia does it.)