En domingo no matarás

Título original: Concerto per pistola solista

1970
R
1h 38min

CALIFICACIÓN DE IMDb

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Dark Comedy Parody Comedy Crime Mystery Thriller

Agrega una trama en tu idiomaA family goes to a British estate to hear the reading of a will and while there they are murdered one by one.A family goes to a British estate to hear the reading of a will and while there they are murdered one by one.A family goes to a British estate to hear the reading of a will and while there they are murdered one by one.

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CALIFICACIÓN DE IMDb

6.1/10

619

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Ver la información de producción en IMDbPro

Trivia
Francesco de Mari's score under the introductory credits is virtually identical--orchestrations, chord progressions, measure for measure, rhythmic figures--everything except melodic line, to Tchaikovsky's famous 1st piano concerto, the opening chords of which reverberate throughout the film score.

Citas
Aunt Gladys Kemple: Little Miss Florence Nightingale had it all figured out, she did! The sneaky bitch!
Georgie Kemple: [shocked at his mummy's outburst] Mummy!
Aunt Gladys Kemple: Drop Dead!

Créditos curiosos
Francesco de Mari's score under the introductory credits is virtually identical--orchestrations, chord progressions, measure for measure, rhythmic figures--everything except melodic line, to Tchaikovsky's famous 1st piano concerto, the opening chords of which reverberate throughout the film score.

Versiones alternativas
A censored version was created by MGM for American and international markets, removing zooms and close-ups of bloody content as well some as sexual interplay and dialogue. Only the original Italian version was uncensored.

Conexiones
Featured in Eurotika!: So Sweet, So Perverse (1999)

Bandas sonoras
Piano Concerto No. 1
Music by Pyotr Ilyich Tchaikovsky

Opiniones de usuarios16

Opinión

Opinión destacada

6/10

Homage to Agatha Christie

The Weekend Murders is disconcertingly British. It's not just that this Italian giallo is in UK English but that the setting, style and even the lame quaint humor are all indicative of a mid-century cozy English mystery-comedy.

I must say that i was completely taken by surprise by who the murderer is and what method they used. However, this isn't unusual in Agatha Christie mysteries which totally cheat and throw so many red herrings at the reader that the end is usually a nice surprise. Either you get it or you don't, no review on Earth will talk someone into the sheer relaxing enjoyment of watching a formulaic mystery set on a European estate where you'll never be able to figure out the murderer by discerning the clues.

This effort is solid, the cinematography and musical score are lovely, but in a very mainstream MGM sort of way.