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7.1/10
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Archie Rice, un antiguo intérprete de music hall británico que se hunde en la derrota final, planea permanecer en el mundo del espectáculo.Archie Rice, un antiguo intérprete de music hall británico que se hunde en la derrota final, planea permanecer en el mundo del espectáculo.Archie Rice, un antiguo intérprete de music hall británico que se hunde en la derrota final, planea permanecer en el mundo del espectáculo.
- Nominado a 1 premio Óscar
- 1 premio ganado y 5 nominaciones en total
Laurence Olivier
- Archie Rice
- (as Lawrence Olivier)
Brenda de Banzie
- Phoebe Rice
- (as Brenda De Banzie)
Shirley Anne Field
- Tina Lapford
- (as Shirley Ann Field)
MacDonald Hobley
- McDonald Hobley
- (as McDonald Hobley)
Argumento
¿Sabías que…?
- TriviaAccording to the April 21, 1958, edition of Time Magazine, as an addendum to its cover story on Sir Alec Guinness, in 1957, Sir Laurence Olivier turned down a Hollywood offer of two hundred fifty thousand dollars for one movie. Instead of making the movie and pocketing the cash, Olivier preferred to take on the role of Archie Rice in this movie (a role written specifically for him) at the Princely sum of forty-five pounds sterling per week.
- ErroresWhen Jean is with her grandfather on the promenade; some of the background people in the crowd are either looking at the camera or reacting out of character to the film shooting of the principal actors.
- Citas
Archie Rice: Look at these eyes. I'm dead - behind these eyes. I'm dead.
- ConexionesFeatured in V.I.P.-Schaukel: Episode #7.1 (1977)
- Bandas sonorasWhy Should I Care?
(uncredited)
Music by John Addison
Lyrics by John Osborne
Performed by Laurence Olivier
Played occasionally in the score
Opinión destacada
As an American, getting a peek at post-War Britain in decline, a look at Olivier as a most interesting character in the person of never-was vaudevillian Archie Rice, and a look at several British players (Joan Plowright, Anthony Bates, and Albert Finney) very early in their careers is priceless.
Archie Rice is a despicable character, and the drama centers on his problems of having all of his financial issues - including some long overdue tax debt - come to a head just as he can finally get no more work as a vaudevillian even in the bad music halls. He has a way out - one of his relatives will pay off his debts if he'll accept his drunken wife's nephew's offer to run a motel in Canada. But like any Briton who can remember England's finer days he's just not about to cut and run, and even though I can despise the lying, the cheating on his used up wife, his odd ideas about parenting, and his willingness to use his own father, I can't help but admire his "pioneer spirit" to use an American term. He'd rather fail on his own terms than succeed on someone else's.
Joan Plowright is the other lead, and she plays Archie's daughter, Jean. She shows some pioneer spirit herself. She shares some characteristics with dad - she's a painter who can't paint, Archie's a vaudevillian who can't entertain. Unlike dad, she owns up to her shortcomings and wants to make a contribution anyways by teaching art to poor slum kids. She has a way out of Britain just like dad does. Her fiancé has been offered a job opportunity in Africa, and he encourages her to leave her dead country behind, but she just isn't ready to give up on England or her family just yet. The two have a falling out and Jean goes to visit her dysfunctional family, in which she finds comfort.
I just don't get people who say that they don't like this one because it's boring, depressing, ugly. Every minute of this film held my interest and stayed with me long after I'd watched it. I think you need to have lived awhile, to have had disappointments, and to have dealt with those disappointments in ways you may not be proud of to really appreciate this film.
Archie Rice is a despicable character, and the drama centers on his problems of having all of his financial issues - including some long overdue tax debt - come to a head just as he can finally get no more work as a vaudevillian even in the bad music halls. He has a way out - one of his relatives will pay off his debts if he'll accept his drunken wife's nephew's offer to run a motel in Canada. But like any Briton who can remember England's finer days he's just not about to cut and run, and even though I can despise the lying, the cheating on his used up wife, his odd ideas about parenting, and his willingness to use his own father, I can't help but admire his "pioneer spirit" to use an American term. He'd rather fail on his own terms than succeed on someone else's.
Joan Plowright is the other lead, and she plays Archie's daughter, Jean. She shows some pioneer spirit herself. She shares some characteristics with dad - she's a painter who can't paint, Archie's a vaudevillian who can't entertain. Unlike dad, she owns up to her shortcomings and wants to make a contribution anyways by teaching art to poor slum kids. She has a way out of Britain just like dad does. Her fiancé has been offered a job opportunity in Africa, and he encourages her to leave her dead country behind, but she just isn't ready to give up on England or her family just yet. The two have a falling out and Jean goes to visit her dysfunctional family, in which she finds comfort.
I just don't get people who say that they don't like this one because it's boring, depressing, ugly. Every minute of this film held my interest and stayed with me long after I'd watched it. I think you need to have lived awhile, to have had disappointments, and to have dealt with those disappointments in ways you may not be proud of to really appreciate this film.
- AlsExGal
- 27 abr 2013
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- GBP 247,716 (estimado)
- Tiempo de ejecución1 hora 36 minutos
- Color
- Relación de aspecto
- 1.66 : 1
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By what name was El cómico (1960) officially released in India in English?
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