CALIFICACIÓN DE IMDb
7.6/10
37 k
TU CALIFICACIÓN
Un cirujano causa un accidente que desfigura a su hija, y toma medidas extremas para darle una nueva cara.Un cirujano causa un accidente que desfigura a su hija, y toma medidas extremas para darle una nueva cara.Un cirujano causa un accidente que desfigura a su hija, y toma medidas extremas para darle una nueva cara.
Charles Blavette
- L'homme de la fourrière
- (escenas eliminadas)
- (as Blavette)
Charles Bayard
- Un homme à la conférence
- (sin créditos)
Gabrielle Doulcet
- Une admiratrice du docteur Génessier
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaDuring the original release of the film, an English film critic for The Spectator was nearly fired for writing it a positive review, while the general critical reaction had been poor.
- ErroresWhen she's not wearing it, Christiane's mask is very thick and heavy and would only seem to cover her face. When she puts it on, however, it is very thin, close-fitting, and seamlessly covers her jawline and the underside of her chin, revealing that the mask itself is a prop while the actress probably wears a combination of makeup and prosthetics.
- Citas
Christiane Génessier: My face frightens me. My mask frightens me even more.
- Versiones alternativasThe films initial 1962 release to the US was edited and the film was re-titled. The surgery scene was cut down for content, while scenes that made Dr. Genessier seem sympathetic (particularly the scene where he cares for an ailing boy) were also edited.
- ConexionesFeatured in Cinéma, de notre temps: Georges Franju, le visionnaire (1996)
Opinión destacada
George Franju's "Yeux Sans Visage" is extremely slow yet absolutely riveting. The direction is masterful and Pierre Brasseur is superb as the dedicated doctor whose love for his daughter leads him to commit unspeakable crimes.
The cold, sinister atmosphere of the film will seep into your bones and you may find it hard to look at the screen when the central skin-removal operation takes place - this is an extraordinarily grisly sequence for its time, lent all the more power by the cold, matter-of-fact direction and acting.
In a film full of haunting images, you will find the last one unforgettable.
Why can't modern directors make horror films as good as this? It deals with a potentially lurid, gory subject-matter with masterly subtlety and skill.
The cold, sinister atmosphere of the film will seep into your bones and you may find it hard to look at the screen when the central skin-removal operation takes place - this is an extraordinarily grisly sequence for its time, lent all the more power by the cold, matter-of-fact direction and acting.
In a film full of haunting images, you will find the last one unforgettable.
Why can't modern directors make horror films as good as this? It deals with a potentially lurid, gory subject-matter with masterly subtlety and skill.
- heedarmy
- 30 nov 2000
- Enlace permanente
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 58,565
- Fin de semana de estreno en EE. UU. y Canadá
- USD 19,628
- 2 nov 2003
- Total a nivel mundial
- USD 61,453
- Tiempo de ejecución1 hora 30 minutos
- Color
- Relación de aspecto
- 1.66 : 1
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Principales brechas de datos
By what name was Los ojos sin cara (1960) officially released in India in English?
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