El mundo de Apu

Título original: Apur Sansar

1959
A
1h 45min

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8.4/10

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62 fotos

Tragedy Drama

Esta última entrega de la trilogía Apu de Satyajit Ray sigue la vida de Apu como un adulto huérfano que aspira a ser escritor.Esta última entrega de la trilogía Apu de Satyajit Ray sigue la vida de Apu como un adulto huérfano que aspira a ser escritor.Esta última entrega de la trilogía Apu de Satyajit Ray sigue la vida de Apu como un adulto huérfano que aspira a ser escritor.

Dirección
- Satyajit Ray
Guionistas
- Bibhutibhushan Bandyopadhyay
- Satyajit Ray
Elenco

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

8.4/10

17 k

TU CALIFICACIÓN

Dirección
- Satyajit Ray
Guionistas
- Bibhutibhushan Bandyopadhyay
- Satyajit Ray
Elenco

Ver la información de producción en IMDbPro

Nominada a1 premio BAFTA
- 4 premios ganados y 2 nominaciones en total

Apurba Roy
(as Soumitra Chattopadhyay, Soumitra Chatterji: in subtitles)

Sharmila Tagore

Aparna

Alok Chakravarty

Kajal
(as Shriman Alok Chakraborty, Aloke Chakravarty: in subtitles)

Swapan Mukherjee

Pulu
(as Swapan Mukhopadhyay, Swapan Mukerji: in subtitles)

Tushar Bandyopadhyay

Gupi Banerjee

Panchanan Bhattacharya

Shanti Bhattacherjee

Office Associate

Jiten Bhons

Abhijit Chatterjee

Aparna's Brother
(as Abhijit Chattopadhyay)

Jogesh Chatterjee

Asha Devi

Belarani Devi

Apu's Neighbor
(as Belarani)

Sefalika Devi

Shashinarayan's wife

Biren Ghosh

Dhiren Ghosh

Landlord

Biresh Majumdar

Dhiresh Majumdar

Shashinarayan

Dirección
- Satyajit Ray
Guionistas
- Bibhutibhushan Bandyopadhyay
- Satyajit Ray
Todo el elenco y el equipo
Producción, taquilla y más en IMDbPro

Argumento

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Trivia
Sharmila Tagore, who plays Aparna, the wife of Apu (played by Soumitra Chatterjee), and who was only 14-years-old when she appeared in the film, later recalled filming the scene in which Apu brings his new bride back to his untidy apartment in the city. The director, Satyajit Ray, gave Tagore no direction, other than that she was to enter the room and look around, and she did not view the apartment set before they shot the scene. So when Chatterjee opened the door and they both walked in, Aparna's reaction to Apu's living quarters was actually Tagore's own spontaneous reaction. Later, she realized that Ray deliberately did not prepare her, in order to obtain exactly that spontaneous response from her.

Errores
When Apu arises from bed, there is a spilled inkwell on his left side. However, when he is cleaning up the mess, there is an ink stain on the right side of his shirt.

Citas
Pulu: So are you writing anything? What are you writing?
Apurba Roy: A wonderful novel.
Pulu: And you've kept it mum all this time?
Apurba Roy: You know a good publisher?
Pulu: All in good time.
Apurba Roy: Listen to this: a young boy. A young boy. A village boy. Poor but sensitive. His father's a priest. The father dies. The boy comes to the city. He doesn't want to be a priest. He'll study. He's ambitious. He studies. Through his education and struggles, we watch as he sheds his old superstitions and fixed views. He questions everything and takes nothing on trust. Yet he has imagination and sensitivity. Little things move him and bring him joy. Perhaps he has greatness in him, the ability to create, but...
Pulu: He doesn't make it.
Apurba Roy: That's right. But it doesn't end there. It's not a tragedy. He does nothing great. He remains poor, in want. But he never turns away from life. He doesn't run away. He wants to live. He says living itself brings fulfillment and joy. He wants to live!

Versiones alternativas
There is an Italian edition of this film on DVD, re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.

Conexiones
Featured in Apur Panchali (2013)

Bandas sonoras
For He's a Jolly Good Fellow
Played by the band

Opiniones de usuarios64

Opinión

Opinión destacada

9/10

Fantastic

Sometime a person wants freedom in the form of limited attachments to people or places because they have endured so much pain and loss in life. That's one of the themes here, and a reminder to me to be more empathetic towards people I randomly meet, each of whom may be carrying around hidden scars and damage, or doing things in their lives which may seem puzzling.

The third Apu film tells a pretty simple story, but I have to say, I really didn't see its big events coming, and it's full of emotional power. The quality of filmmaking is superb, with stunning cinematography from Subrata Mitra and a soundtrack from Ravi Shankar which harmonizes with its mood perfectly. Soumitra Chatterjee and Sharmila Tagore are heartwarming in their roles, and Satyajit Ray ties it all together beautifully. Fantastic film, with an ending that hits all the right emotional notes. See this.