Testigo de cargo

Título original: Witness for the Prosecution

1957
A
1h 56min

CALIFICACIÓN DE IMDb

8.4/10

145 k

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Legal Drama Legal Thriller Whodunnit Crime Drama Mystery Thriller

Un veterano abogado británico debe defender a su cliente en un juicio por asesinato en el que surge una sorpresa tras otra.Un veterano abogado británico debe defender a su cliente en un juicio por asesinato en el que surge una sorpresa tras otra.Un veterano abogado británico debe defender a su cliente en un juicio por asesinato en el que surge una sorpresa tras otra.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

8.4/10

145 k

TU CALIFICACIÓN

POPULARIDAD

3,305

Ver la información de producción en IMDbPro

Película con mejor calificación n.º 66

Nominado a 6 premios Óscar
- 3 premios ganados y 15 nominaciones en total

Trivia
Charles Laughton, who could be moody and difficult, was apparently a dream to work with, throwing himself into the role with dedication and delight. Billy Wilder later recalled a day that was set aside just for shooting reaction shots of the jury and courtroom crowd (composed of extras hired only for the day). Normally, the assistant director would read the actors' lines, and the extras would react. However, Laughton, who was fascinated with the whole process of filmmaking, begged to help. So he came in on his day off and read all of the off-camera speeches to the jury members. He not only read his part but also the judge's, the prosecutor's, and even Marlene Dietrich's. According to biographer Maurice Zolotow in his book "Billy Wilder in Hollywood", "it was an exhibition of craftsmanship such as Wilder had never seen. He believes that Charles Laughton had the greatest technical range and power of any actor, man or woman, whom he has known."

Errores
Whilst the story is set in London, the script contains several Americanisms such as "cot" for bed, "banana peel" for banana skin, "travel bureau" for travel agents, "roll up" for open, "movie" for film and "Scotch" for Scottish. Whilst some may be intentional, it is odd that Sir Wilfrid or Mrs French would use such colloquialisms. Conversely the US-accented Leonard uses the correct UK "quid" with reference to money.

Citas
Sir Wilfrid: I am constantly surprised that women's hats do not provoke more murders.

Créditos curiosos
As the end credits appear on screen, an announcer's voice is heard: "The management of this theater suggests that for the greater entertainment of your friends who have not yet seen the picture you will not divulge to anyone the secret of the ending of Witness for the Prosecution."

Conexiones
Featured in Marlene (1984)

Bandas sonoras
I May Never Go Home Anymore
Music by Ralph Arthur Roberts
Lyrics by Jack Brooks
Sung by Marlene Dietrich (uncredited)
Reprised a cappella by Tyrone Power (uncredited)

Opiniones de usuarios384

Opinión

Opinión destacada

Superb and unjustly maligned film

WARNING: SPOILERS AHEAD!

I'm not sure I have the ability to adequately praise this film. The original short story(rather unremarkable, actually)has been expanded into a magnificent example of Hollywood entertainment at its best. In addition to perhaps the finest line-up of character actors ever assembled(next to Cukor's David Copperfield, that is), we get Laughton and Dietrich at the top of their form. The person who criticised Lanchester's performance as "annoying" missed the point entirely. Miss Plimsoll is meant to be annoying! Also, what's with all the bad-mouthing of Tyrone Power? "Hammy"; "terrible"; "worst performance ever". These are the perceptive IMDb reviews? Only one of you got it right: it's hammy because Leonard Vole is the one acting, not Power! For 95% of the film, the character is dissembling, only showing his true colors at the end. Of course it looks hammy: Vole isn't a born actor like his wife. And to all those know-it-alls who called this film mediocre and predictable, I look forward to your upcoming film projects which I'm sure will be paragons of excellence and worthy to be set alongside classics of the golden age.