CALIFICACIÓN DE IMDb
7.4/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaJean Valjean, convicted of a minor crime, spends the rest of his life being pursued by a cruel and unrelenting policeman, Javert.Jean Valjean, convicted of a minor crime, spends the rest of his life being pursued by a cruel and unrelenting policeman, Javert.Jean Valjean, convicted of a minor crime, spends the rest of his life being pursued by a cruel and unrelenting policeman, Javert.
Edmond Ardisson
- Le brigadier de gendarmerie
- (as Ardisson)
Robert Bazil
- Un commissaire
- (as Bazil)
Argumento
¿Sabías que…?
- TriviaMichel Audiard did not write a line for this film. He is not even in the credits. He was perhaps originally approached to collaborate in the writing, notably because of his affinity with Jean Gabin, finally did not contribute to it. Jean-Paul Le Chanois makes this clear in his interviews with Philippe Esnault: I liked Hugo's work very early on, I'd written the screenplay with René Barjavel (who had worked with me a bit on "Le Cas du docteur Laurent").
- Citas
Courfeyrac: It's a pity to kill that young man, he could be your brother.
Enjolras: He is.
- Versiones alternativasFor the release in West Germany, the film was considerably censored and shortened, as well as completely re-dubbed.
- ConexionesFeatured in Les misérables et Victor Hugo: Au nom du peuple (2020)
Opinión destacada
To me, the best versions of Les Miserables- a literary classic, and "the great French novel" for a reason- are the ones from 1935, 1978 and especially 1934. Apart from some draggy pacing, staid directing and the very unexciting barricade scenes, this film was still very good and as an adaptation is better than the 1952, 2000 and especially 1998 adaptations. The film looks very detailed and beautiful if at times too clean, and the photography is very skillful and mostly fluid(if clumsy at times in the scenes with the barricade). The music is haunting and dynamic and occasionally playful, while the script is very literate and maintains the brusque nature of Hugo's prose and the story is faithful in spirit to the book with some parts expanded on like with Valjean and Javert- though things were changed to accommodate the age difference between the actors- and Valjean and the bishop, which none of the other adaptations or even the book for that matter did. The storytelling is still poignant and the message of the book is there and it resonates. Of the cast the standouts are Jean Gabin, Bernard Blier and Bourvil. But that is not to dispute Daniele Delorme as a touching Fantine and while Béatrice Altariba achieves some pathos if not being entirely successful at overcoming Cosette's blandness. Gabin is a noble and understated Valjean with a lot of charisma and emotion, his change from immorality and redemption is portrayed very convincingly. Blier's Javert is cold-blooded, obsessive, strong-principled but there is vulnerability and a conflicted side he brings to Javert as well, which stops him from becoming too much of a one-dimensional antagonist. Bourvi's Thernadier is very slimy and funny, one of the best in the role actually, he manages not to be too sadistic or buffoonish, for a comic-villain role that Thernadier is those are a danger and Bourvil doesn't fall into that trap. In conclusion, a very good film and adaptation but from personal perspective it's not a first choice. 7.5/10 Bethany Cox
- TheLittleSongbird
- 28 nov 2013
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Detalles
Taquilla
- Total a nivel mundial
- USD 2,370,699
- Tiempo de ejecución3 horas 30 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Los miserables (1958) officially released in Canada in English?
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