El incorregible

Título original: Baby the Rain Must Fall

1965
Not Rated
1h 40min

CALIFICACIÓN DE IMDb

6.3/10

2.1 k

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1 video

99+ fotos

Drama

En Texas, una mujer y su hija pequeña se dirigen a otro pueblo donde el padre irresponsable, impulsivo e inmaduro de la niña acaba de salir de prisión en libertad condicional.En Texas, una mujer y su hija pequeña se dirigen a otro pueblo donde el padre irresponsable, impulsivo e inmaduro de la niña acaba de salir de prisión en libertad condicional.En Texas, una mujer y su hija pequeña se dirigen a otro pueblo donde el padre irresponsable, impulsivo e inmaduro de la niña acaba de salir de prisión en libertad condicional.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.3/10

2.1 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Band Member
(sin créditos)

Glen Campbell

Band Member
(sin créditos)

John Daheim

Tough Patron
(sin créditos)

Roy Jenson

Tough Patron
(sin créditos)

Wallace Schlemmer

Horse Boss Guarding Prisoners
(sin créditos)

Georgia Simmons

Miss Kate Dawson
(sin créditos)

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Trivia
Steve McQueen's vocals were dubbed by Billy Strange, a songwriter and musician who wrote songs for Elvis Presley and others and arranged and played guitar on records by Nancy Sinatra and the Beach Boys among others.

Errores
When Henry plants the china berry tree in his front yard he neglects to take it out of the tin can first, guaranteeing that it will never grow larger, and probably strangle to death.

Citas
Georgette Thomas: [woken up from Henry's banging] Henry, what's the matter?
Henry Thomas: I dreamt I was back in the pen. They told me I could leave, but I'd have to let myself out. Every time I got that door halfway open, it'd slam shut in my face. Them guards - all laughing at me.

Conexiones
Featured in Viktor Vogel - Commercial Man (2001)

Bandas sonoras
Baby, The Rain Must Fall
Music by Elmer Bernstein
Lyric by Ernie Sheldon
Performed by Glenn Yarbrough
(Title Sequence)

Opiniones de usuarios60

Opinión destacada

7/10

Let it pour.

I find this film quite fascinating because of its setting and style.

The credits on the road and the black and white photography are so striking and evocative of its time that if one in the year 2005 wants to get a real sense of the quiet 'sixties rural/suburban time, this film will do it for you. I find it a companion piece to BUS RILEY'S BACK IN TOWN and even THE STRIPPER all made around the same time, as if a set of films of a similar tone and look all made in the same US town. Where I lived in Australia in 1965 was exactly like all these films but this this one gives me the childhood recollection of hearing the sad adult conversations of neighbors. These 3 films deserve better awareness of lonely and changing 60s life before Vietnam horror and psychedelia took over and perhaps offer the best sense of time travel one could wish for. If you also want a bitter chaser with a wicked laugh, add KISS ME STUPID to the mix.