Barbarroja

Título original: Akahige

1965
Not Rated
3h 5min

CALIFICACIÓN DE IMDb

8.3/10

22 k

TU CALIFICACIÓN

Toshirô Mifune and Yûzô Kayama in Barbarroja (1965)

In 19th-century Japan, a rough-tempered yet charitable town doctor trains a young intern.

Reproducir trailer4:03

1 video

99 fotos

Medical Drama Drama

En el Japón del siglo XIX, un médico local de mal genio pero caritativo enseña a un joven interno.En el Japón del siglo XIX, un médico local de mal genio pero caritativo enseña a un joven interno.En el Japón del siglo XIX, un médico local de mal genio pero caritativo enseña a un joven interno.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

8.3/10

22 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Premios
- 11 premios ganados y 2 nominaciones en total

Videos1

Trailer 4:03

Trailer [OV]

Fotos99

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Argumento

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Trivia
Akira Kurosawa's desire for authenticity for this film led to having the hospital set thoroughly stocked with expensive medical supplies of the time period the film's set in. The drawers that were never referred to or opened on camera, were nevertheless filled with pills.

Errores
At the brothel where young Otoyo is being rescued: when Red Beard (Toshiro Mifune) prepares to step out of the brothel opening to confront the thugs gathered outside, from the inside camera view, right before he steps through the door flap, there are a couple of thugs standing just right outside the opening. But from the outside shot, which shows Red Beard stepping out, the nearby thugs have changed position, and are now standing much farther away from the opening.

Citas
Dr. Handayu Mori: The pain and loneliness of death frighten me. But Dr. Niide looks at it differently. He looks into their hearts as well as their bodies.

Conexiones
Featured in WatchMojo: Top 10 Akira Kurosawa Movies (2014)

Opiniones de usuarios88

Opinión

Opinión destacada

9/10

The end of an era

Red Beard marked the end of an era for Kurosawa. It was the last of his period costume dramas (excluding Ran and Kagemusha, though these were more of a glorious revisit to his 'old' style anyhow), the last film he shot in black and white, and the last film he ever made with Toshiru Mifune, thus ending what is, to me at least, the finest director-actor pairing in the history of cinema. Perhaps it is for these reasons that I look on this film with so much fondness, and it remains one of my favourite Kurosawa films (alongside Ran and Rashomon). That aside, it is also filled with warmth and sincerity, but then that's to be expected from the man I consider to be the greatest director of all time. Highly recommended.