CALIFICACIÓN DE IMDb
7.2/10
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TU CALIFICACIÓN
La historia biográfica de los problemas de Miguel Ángel mientras pintaba la Capilla Sixtina a instancias del Papa Julio II.La historia biográfica de los problemas de Miguel Ángel mientras pintaba la Capilla Sixtina a instancias del Papa Julio II.La historia biográfica de los problemas de Miguel Ángel mientras pintaba la Capilla Sixtina a instancias del Papa Julio II.
- Nominado a 5 premios Óscar
- 3 premios ganados y 9 nominaciones en total
Fortunato Arena
- Pope's Bodyguard
- (sin créditos)
Lars Bloch
- Baron Von Silenen
- (sin créditos)
Angelo Boscariol
- Papal Guard
- (sin créditos)
Calisto Calisti
- Physician
- (sin créditos)
Amerigo Castrighella
- Quarry cart assistant
- (sin créditos)
Anita Ceccotti
- Woman Under the Chapel
- (sin créditos)
Enrico Chiappafreddo
- Tavern Customer
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThe book on which this movie is based covers the entire life of Michelangelo Buonarroti. This movie based on a single chapter. One of the shortest, if not the shortest, in the entire book.
- ErroresAs shown in the movie, Michelangelo created a flat wooden platform on brackets built out from holes in the wall, high up near the top of the windows. But contrary to what is depicted in the film, he did not lie on this scaffolding while he painted, but painted from a standing position.
- ConexionesEdited from Prologue: The Artist Who Did Not Want to Paint (1965)
Opinión destacada
"The Agony and the Ecstasy" is the story of Michaelangelo and his painting of the Sistine Chapel at the behest of Pope Julius II, a warrior and Patron of the Arts.
But it's really about so much more - the connection between art and the artist, faith, will, and the quest for perfection. Most of all, it's about the complicated relationship of two determined men, Michaelangelo and Pope Julius, which is adversarial and even violent.
The color and scenery in this film are truly beautiful, but I'd love to see a restored print, as I imagine the colors would even be richer.
Charlton Heston is a convincing and strong Michelangelo in what may be his best performance. It's buoyed by the magnificent work of Rex Harrison as Julius II. The two spark one another, and the result is an exciting screen teaming. There is hatred, resentment, a battle of wills, love and admiration between them, the agony and ecstasy of connecting with another, as Diane Cilento says in the film. She plays a woman in love with Michaelangelo. He explains that he cannot love her because of the commitment he has made to his true love, his art. The book hints at Michaelangelo's homosexuality, and it's covered with one line. After Michaelangelo says that he cannot match her feelings, he looks at a sketch of a nude man. "And it's not that either," he says.
Many scenes stick out. The somewhat hokey one in the mountains, when Michaelangelo looks at the heavens and receives his inspiration is nevertheless a gorgeous scene; the incredible scene when Michaelangelo discovers the Pope alone at night with a candle studying the ceiling is perhaps the best, as Michaelangelo explains his concept of God and faith. And the last scene between the two men is unforgettable.
There is a documentary about Michaelangelo and his work before the movie begins. A magnificent film. Don't miss it.
But it's really about so much more - the connection between art and the artist, faith, will, and the quest for perfection. Most of all, it's about the complicated relationship of two determined men, Michaelangelo and Pope Julius, which is adversarial and even violent.
The color and scenery in this film are truly beautiful, but I'd love to see a restored print, as I imagine the colors would even be richer.
Charlton Heston is a convincing and strong Michelangelo in what may be his best performance. It's buoyed by the magnificent work of Rex Harrison as Julius II. The two spark one another, and the result is an exciting screen teaming. There is hatred, resentment, a battle of wills, love and admiration between them, the agony and ecstasy of connecting with another, as Diane Cilento says in the film. She plays a woman in love with Michaelangelo. He explains that he cannot love her because of the commitment he has made to his true love, his art. The book hints at Michaelangelo's homosexuality, and it's covered with one line. After Michaelangelo says that he cannot match her feelings, he looks at a sketch of a nude man. "And it's not that either," he says.
Many scenes stick out. The somewhat hokey one in the mountains, when Michaelangelo looks at the heavens and receives his inspiration is nevertheless a gorgeous scene; the incredible scene when Michaelangelo discovers the Pope alone at night with a candle studying the ceiling is perhaps the best, as Michaelangelo explains his concept of God and faith. And the last scene between the two men is unforgettable.
There is a documentary about Michaelangelo and his work before the movie begins. A magnificent film. Don't miss it.
- blanche-2
- 18 ago 2006
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Tiempo de ejecución2 horas 18 minutos
- Color
- Relación de aspecto
- 2.20 : 1
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What is the Japanese language plot outline for La agonía y el éxtasis (1965)?
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