Vidas Secas

Vidas Secas had that same neorealist, slice of life feel that Bicycle Thieves and Pather Panchali have, but it didn't do quite as much for me thematically. The big focus was on how it's very difficult to survive and work in the barren Brazilian desert. The thing the film does best is establish a clear atmosphere - the slow long shots of the expansive desert and realistic, character driven story do a lot to emphasize how difficult it is to live there. It's not a film where I was emotionally drawn into the lives of the characters, the way I was in Bicycle Thieves, and I found the major messages of the movie to be muddled (aside from the main theme of how difficult it is to survive there). The repetition of the scene asking for work early in the film was really odd, and the random pivot to the older boy asking questions about hell and getting into that can be explained but came a bit out of nowhere for me, as up to that point the focus was on the father's attempt to work and the family struggles. In general, it just felt like a well shot but somewhat shallow slow, slice of life Brazilian film. Maybe I've just been spoiled by some of the great neorealist films we've watched though, and I'm sure there are some elements I didn't notice.